Some time ago during a visit in Musei Vaticani (>>>) that is totally overwhelming as far as the number of artifacts, artworks as well as handcraft all around are concerned in the second hour of a slow walk in the crowd I was simply too tired to admire that what we saw. There were moments I made photos just to be able to follow the route quietly later at home. My neck was tense because of the constant looking up onto the frescoes and other ceiling decorations. To be frank I did not prepare earlier for this visit, so I had no idea what was still ahead of us. For a couple of minutes we entered a great hall with frescoes all around. I did not want to speculate on its size, but this was altogether hundreds of meters. Then there was another room, and another. You could have only looked around, stopping for a while and catching the momentum.
We entered the so called Raphael’s Rooms, a series of chambers decorated by the Italian Renaissance master Raphael, or his pupils. In fact the sightseeing route begins in the reverse order. Its starts in the Room of Constantine, a great hall designed for reception and official ceremony purposes. The frescoes are not by Raphael himself. Raphael died before he was able to finish them. The work was finished by artists, who worked in his workshop, upon the original Raphael’s design. The room is devoted to the the Rome emperor Constantine, who was the first Christian Emperor of the ancient Rome.
Only a small fraction of a wall fresco in the Room of Constantine, showing the Battle of Constantine against Maxentius, painted by the Raphael’s pupil Julio Romano.
Later on, we visited a series of smaller chambers that had been designed to serve as pope’s private chambers that are told to be painted by Raphael himself. This can be however not fully true, as Raphael is told to have maintained one of the biggest workshops in Rome. Translated into English it means that he employed many talented people who made auxiliary work for him.
Raphael or Raffaello Sanzio da Urbino (1483-1520), was one of the greatest artists of the Italian Renaissance (alongside Michelangelo and Leonardo da Vinci). He is one of those artists who died young but left huge art heritage. Raphael’s Rooms are told to be one of his greatest achievements. On the picture left, you can see the Raphael’s self portrait on display in the Louvre collection in Paris. But artists sometimes painted their self portraits inside works for which they have been commissioned. One of them (supposedly) is in the Raphael’s Rooms on the wall with a fresco depicting the School of Athens (>>>). In the middle of it there are two masterminds of the ancient times: Plato (to the left) an his pupil Aristotle (to the right). The head of Plato is a portrait of Leonardo da Vinci, and that of Aristotle is indeed a Raphael’s self portrait.
The Raphael’s Rooms are decorated with frescoes all around. You can admire paintings on each wall and on all ceilings. Because of the crowds I made only a few photos directing my camera up from above people’s heads. However, on the Musei Vaticani web page, we can admire the empty Raphael’s rooms on pictures and in form of the virtual tour (>>>).
Below some other photo impressions.
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Brussels is a meeting place for people of different nationalities and cultural backgrounds. On trips when it is not just fly-in fly-out the same day it is worth to ask around what to do in free time. A couple of months ago while in Brussels, a colleague of mine proposed to go to an art museum devoted to the Belgian surrealist René Magritte.
As surrealism is balancing between the unconscious and real, I cannot say I understood that what I so. But this winter I had an opportunity to listen to a series of lectures in psychology, and went through some obligatory stuff including texts by Sigmund Freud. A vital part of his work was devoted to understanding of that what is behind of our night dreams. And why we associate with each other pictures that in real terms have nothing in common. With some exercise in games of that what is between dreams and reality, things got somehow more clear.
Below, photos I made that afternoon walking around the exhibition floors.
(Brussels, November 2016)
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