The Berlin Quadriga

The Brandenburg Gate is a famous entry gate located in the center of Berlin. The gate is one of the most important landmarks of Berlin and German history. At the top of the gate is the Quadriga. It depicts a chariot with four horses being led by the goddess of victory, Nike.

The story of the Berlin Quadriga begins in 1793 when the Brandenburg Gate was built as a symbol of peace by Prussian King Frederick William II. The first Quadriga on the Brandenburg Gate placed there after the Gate was constructed was of a thin copper sheet that was worked on a wooden model and mounted on an iron frame. The figures of the goddess and the horses were hammered by two Potsdam copper smiths, Köhler for the goddess and Jury for the horses. The originally intended gilding was omitted due to cost reasons.

It was designed by the sculptor Johann Gottfried Schadow. Schadow had originally made the charioteer Eirene also known as Pax in Roman mythology, is the goddess of peace. Her body was only draped with a chiton, a type of undergarment commonly worn in ancient Greece. The Berliners did not like her ‘nude’ appearance. Therefore, later she was given a long gown, a lance with a Roman laurel wreath and a Roman eagle at the tip.

A couple of years later, the Quadriga was taken by Napoleon Bonaparte as a war trophy after he defeated Prussian forces in the Battle of Jena-Auerstedt in 1806. The dismantling was entrusted to the Potsdam copper smith Jury, who had once crafted the copper horses of the Quadriga. Packed in twelve crates, the heavily damaged loot reached Paris in May 1807. Due to Napoleon’s downfall, the sculpture was never permanently installed in Paris. In 1814, after the occupation of Paris by the Prussian army, the Quadriga was discovered in the Tuileries, a Parisian city palace, and in 1814, it was brought back to Berlin in an elaborate and weeks-long transport. The laurel wreath however, along with the eagle and spear remained unfound. The sculpture was that damaged that it had to be restored. The restoration works had been performed by the German sculptor Johann Gottfried Schadow. By restoring it he did some important changes. The return of the Quadriga to Berlin had Prussian-political significance. The ensemble should become more Prussian. The laurel wreath was replaced with a larger oak wreath. In the center of the wreath, the iron cross was placed, and on top of the wreath, the Prussian eagle with outstretched wings, a bird of prey. The Goddess changed to Nike. Nike, also known as Victoria in Roman mythology, is the goddess of victory. Schadow’s restoration work was completed in 1815, and the Quadriga was placed back on top of the Brandenburg Gate. This time, the sculpture faced east, towards the city center, rather than west, towards the royal palace.

Once again, the Quadriga was damaged during the riots in 2019/2020. For seven years before it finally was restored, rain and snow had seeped into the interior through bullet holes. The corroded iron support structures had to be replaced with bronze ones.

During the World War II, plaster casts of the original horses and the goddess had been taken in 1942 by the Nazis as a precaution. Due to time constraints, the chariot and the standards were not cast at the time. In the final days of World War II, the Brandenburg Gate, along with the Quadriga, was deliberately targeted and heavily damaged by the Allies. The Victoria and her symbols of victory were completely melted away, while the chariot and two horses were torn into small pieces. Badly damaged, the Quadriga was dismantled and largely melted down in 1950. The only original part that has been preserved is the head of the left outer horse. It was discovered in the rubble of the Berlin Zoo and is today kept in the collection of the Maerkisches Museum.

The sculpture was reconstructed in 1958 in copper based on casts made during the war. The new Quadriga was crafted by the foundry Hermann Noack located in Steglitz. By the reconstruction the militaristic symbols had been removed. The iron cross and the Prussian eagle were missing from the tip of the lance. The Quadriga was returned to its original meaning as a symbol of peace.

The current Quadriga is that of 1958. It was installed on the Brandenburg Gate in 1991 after undergoing restoration work. On the New Year’s Eve 1989/90, numerous people celebrated on the Brandenburg Gate to mark the fall of the Berlin Wall and the reunification of Germany. Many of them climbed onto the gate and damaged the Quadriga. The sculpture was affected by fireworks and bottles. The Quadriga was taken to the workshops of the Berlin Monument Conservation Office for extensive restoration work. During the restoration, the goddess was given back her missing symbols: the Prussian eagle and the iron cross.

After the original 18th-century Quadriga and its 20th-century copper replica were both made from copper sheet, a third Quadriga is now set to be created in Berlin, this time made of plaster. The reconstruction is based on plaster casts used to create the copper replica of the original Quadriga in the 1950s. The original negative molds, which were taken during the war, have since been lost. The positive casts, on the other hand, have been stored in various Berlin depots over the years and are now being brought together in an open workshop at the Berlin Wall Memorial in the German Bundestag.

The Berlin Quadriga

Hadrian

Among the photos of the Roman busts I photographed last year in Altes Museum in Berlin and posted last week, I found a portrait of Emperor Hadrian, as well as three other individuals close to him – his young friend and supposedly lover as well as his successor and second line successor. The latter you can remember from the Hollywood film ‘Gladiator’.

Let us meet them.

Hadrian was born on January 24th, AD 76, in Italica, Spain. He was the third of four children born to a well-connected family. His father was a cousin of the future emperor Trajan, and his mother came from a prominent Roman family. Hadrian was educated in Rome and pursued a career in politics and the military. He served as governor of several Roman provinces before becoming Emperor in AD 117, following the death of Trajan.

As Emperor, Hadrian is known for his travels throughout the Roman Empire and his efforts to consolidate and secure its borders. He is credited with commissioning many notable building projects, including the Pantheon in Rome and Hadrian’s Wall in northern Britain. He also founded several new cities, including Antinopolis in Egypt, and was a patron of the arts and sciences. Despite these achievements, Hadrian’s reign was marked by controversy and conflict. He was known for his authoritarian rule and harsh treatment of political opponents. He also faced several rebellions and wars, including the Second Jewish War and the Bar Kokhba revolt in Judea. Hadrian died on July 10th, AD 138, and was succeeded by Antoninus Pius. His legacy has been mixed, with some historians praising his accomplishments as a builder and statesman, while others criticize his policies and actions as emperor.

Antinous was a young Bithynian boy who was brought into Hadrian’s court when he was just 13 years old. The two quickly formed a bond, and Antinous became Hadrian’s constant companion, accompanying him on his travels throughout the Empire. There is much debate over whether their relationship was purely platonic or whether it was romantic in nature. Some scholars believe that Hadrian and Antinous were lovers, while others argue that their relationship was more of a mentor-mentee or father-son dynamic. What is known for certain is that Antinous had a profound impact on Hadrian’s life. When Antinous drowned in the Nile River at the age of 20, Hadrian was devastated. He declared Antinous a god, founded a city in his honor (Antinopolis), and commissioned numerous statues and busts of his beloved companion.

Antoninus Pius was a Roman emperor who ruled from 138 AD to 161 AD, succeeding Hadrian. He was born on September 19, 86 AD in Lanuvium, Italy. Antoninus was a successful lawyer before becoming emperor, and he was adopted by Hadrian as his successor shortly before Hadrian’s death. During his reign, Antoninus Pius focused on maintaining peace and stability within the Roman Empire. He avoided expanding the empire through military conquest, instead choosing to negotiate with neighboring tribes and maintain friendly relations. He also implemented various domestic policies to improve the lives of Roman citizens, including the construction of new buildings and public works. Antoninus Pius was known for his piety and dedication to the Roman religion. He funded the construction of several temples and supported the Roman priesthood. He was also a patron of the arts, commissioning many sculptures and other works of art during his reign. Antoninus Pius died on March 7, 161 AD in Lorium, Italy, at the age of 74. He was succeeded by his adopted sons, Marcus Aurelius and Lucius Verus (two emperors shared power as co-rulers!).

Marcus Aurelius was co-emperor with Lucius Verus from 161 to 169 AD. The two men were adopted brothers and ruled together as joint emperors following the death of Antoninus Pius. During their reign, they faced significant military challenges, including a war against the Parthian Empire and the Antonine Plague, which devastated the Roman Empire. Lucius Verus died in 169 AD, leaving Marcus Aurelius as the sole emperor.

During his reign, Marcus Aurelius was known for his administrative reforms, which helped stabilize the empire economically and politically. He also expanded the empire’s borders through successful military campaigns in Germany and Parthia. Despite his many accomplishments, Marcus Aurelius faced several challenges during his reign. He had to deal with frequent outbreaks of the Antonine Plague, which killed thousands of people across the empire. He also had to confront the Marcomanni, a Germanic tribe that frequently raided Roman territory.

While Marcus Aurelius is often praised for his philosophical writings and his efforts to reform the Roman Empire, his reign was not without criticism. One of the main criticisms of his reign was his reluctance to name a successor, which ultimately led to a succession crisis after his death (compare Commodus you could have seen in Gladiator, fiction but true in character). Another criticism of Aurelius was his tendency to prioritize military affairs over domestic matters. While he is credited with leading several successful military campaigns, his neglect of domestic issues such as inflation and corruption contributed to the decline of the Roman Empire. Additionally, Aurelius was not always successful in his attempts to promote Stoicism as a guiding philosophy for the Roman Empire. While he personally practiced Stoicism and wrote extensively on the topic, his efforts to implement it as the official philosophy of the empire were met with resistance from other factions, including the Senate. Finally, despite his reputation as a philosopher king, Aurelius was not immune to the corrupting influence of power. He was known to have engaged in political intrigue and used his position to punish political enemies, which contradicted his Stoic ideals of justice and fairness. Overall, while Aurelius is often held up as a model of Roman virtue and leadership, his reign was marked by both successes and failures, and his legacy is complex and multifaceted.

Annia Galeria Faustina Minor (or Faustina II) was a Roman Empress, born in 130 AD in Rome as the daughter of Emperor Antoninus Pius and Empress Faustina the Elder. In 145 AD, she married Marcus Aurelius, who was then only his adopted son. Together, they had at least 13 children. Faustina II was known for her beauty and devotion to the goddess Juno. In Rome, she had many buildings and temples dedicated to her name, including the famous Arches of Faustina. After the Empress’ death in 175 AD, Marcus Aurelius declared her a goddess and ordered the construction of many temples in her honor. Additionally, Faustina II was depicted on Roman coins and medals for many years after her death, demonstrating her popularity and significance in those times.

Hadrian

Meet the Romans. Seen in Altes Museum in Berlin

Meet the Romans (people who have lived in ancient Rome, as not all of those on photos above were native Romans). From Caesars to ordinary citizens. The busts which you can see on the photographs you can find in Berlin at the Old Museum (Altes Museum) in the Roman collection on the first floor.

The Altes Museum is one of the oldest and most significant museums in Berlin, Germany. It was built between 1823 and 1830. The museum houses a number of important collections, including the Roman Collection, which is located on the first floor. The Roman Collection is one of the most extensive collections of ancient Roman art in the world, and it includes a wide range of objects, from small figurines to large statues and architectural fragments. The Roman Collection was formed over the course of several decades, beginning in the early 19th century. Many of the objects in the collection were acquired through archaeological excavations carried out by German archaeologists in Italy, Greece, and other parts of the Mediterranean. These excavations yielded a rich treasure trove of Roman art and artifacts, which were brought back to Germany and added to the collection.

Meet the Romans. Seen in Altes Museum in Berlin