From Borghese collection: Venus blindfolding Cupid

Venus blindfolding Cupid, by Titian. Seen at Galleria Borghese, Rome. Dated around 1565. The original painting was seemingly corrected by Titian, by removing one figure and adding a landscape in the background. There is no established information on the commissioning of the painting. The scene, difficult to interpret, has been identified as Venus Blindfolding Cupid in modern times.

Titian, born Tiziano Vecellio around 1488-1490 in Pieve di Cadore, Italy, was a prominent figure of the Italian Renaissance and the Venetian school of painting. His studio in Venice was a hub of creativity and innovation. While he remained largely based in Venice, his work reached far beyond, gaining acclaim across Italy and Europe. He received commissions from the Venetian government, the Papacy, and various European monarchs, notably Emperor Charles V and Philip II of Spain.

From Borghese collection: Venus blindfolding Cupid

At 15

Today, I visited the Borghese Gallery. Over a month ago, in the late hours of the night, I purchased a ticket, unintentionally selecting a guided tour option. Upon arrival, it turned out I was the only participant. Admitting my prior visit, our tour took a different route. While I’ve been photographing various beautiful objects for years, I don’t consider myself an art expert, and that’s unlikely to change. I might not have been the most engaged listener either. Nonetheless, this unique tour offered insights not readily available online.

In the photo below, you’ll see a small sculpture. It might not be a masterpiece, but considering it’s the work of a fifteen-year-old sculptor, Bernini, who learned from his father, it’s noteworthy. Gian Lorenzo Bernini (1598–1680) was an Italian sculptor, architect, and painter of the Baroque period. He played a crucial role in shaping the Baroque style and is renowned for his skill in creating dynamic, emotionally charged sculptures. There are many of them in the Galeria Borghese, but also in other places of Rome. One of the major works by him was the altar in St. Peters Basilica in Vatican.

A sculpture by 15 years old Gian Lorenzo Bernini, Galeria Borghese, Rome.

At 15

Seen in Olomouc: Heracles and Hydra

Olomouc, located in the eastern part of the Czech Republic, has a beautiful old town where at every step we can come across Baroque buildings, including several Baroque fountains. Below a photo of one of them – Heracles and Hydra, located opposite the old town hall.

In the mythological tales of ancient Greece, Heracles (or Hercules in Roman mythology) faced the Hydra as one of his Twelve Labors. The Hydra was a fearsome, many-headed serpent-like monster that lived in the swamps of Lerna. It was said to be almost indestructible because if one of its heads was cut off, two more would grow back in its place. Additionally, one of its heads was immortal.

Heracles, accompanied by his nephew Iolaus, set out to slay the Hydra as his second labor. Recognizing that he could not defeat the Hydra by simply decapitating its heads, Heracles adopted a new strategy. Every time he chopped off one of the Hydra’s heads, Iolaus would cauterize the wound with a torch. This prevented the growth of new heads and gradually weakened the Hydra. Finally, Heracles cut off the Hydra’s immortal head and buried it under a large rock. He then dipped his arrows in the Hydra’s poisonous blood, which would later play a role in other stories about his adventures and challenges.

The tale of Heracles and Hydra symbolizes the idea that brute force alone is not enough to overcome certain challenges; instead, ingenuity and perseverance are required.

Seen in Olomouc: Heracles and Hydra