German Potato and Sausage Eintopf

German Eintopf with potatoes, onions and sausage is a simple, hearty one-pot dish whose flavour is built gradually, beginning with sautéed onions and sausage and ending with gentle simmering in broth. Although similar dishes exist in Poland – something like a peasant’s pot – they were never part of my family’s cooking tradition. I first discovered this type of meal during my longer stays in Germany. That is where I learned how to cook it. Only later did I realise that very similar rustic dishes are also known in my own country.

The word Eintopf literally means one pot, referring to meals in which all ingredients are cooked together in a single pot and served as a complete meal. This style of cooking developed from practical household traditions, where simplicity, nourishment, and the ability to feed many people from inexpensive ingredients were essential.

Potatoes became widespread in Central Europe in the eighteenth century and quickly turned into one of the most important staple foods in Germany. When combined with vegetables and sausages – another defining element of German food culture – they formed the base of many rustic stews eaten by farmers, workers, and families throughout the country. Across Germany, similar dishes appear under names such as Kartoffelsuppe or Kartoffeleintopf. The exact ingredients vary from region to region. In northern parts of the country, smoked sausages are often used and the flavour is heartier and more robust, while southern versions can be lighter and more broth-based. Despite these variations, the essence of the dish remains the same: a comforting, warming stew built around potatoes, sausage, and simple vegetables.

Today, potato and sausage eintopf is especially popular during colder months.

The ingredients for about 4 servings are:

  • 700–800 g potatoes
  • 2 medium onions
  • 350–400 g smoked sausage
  • about 1 litre broth (vegetable or meat)
  • 2 bay leaves
  • ½–1 teaspoon freshly ground black pepper
  • salt to taste (carefully, because the broth may already be salty)
  • a small handful of fresh parsley
  • (optionally) ½ teaspoon marjoram

The first step is to prepare all the ingredients. Peel the potatoes and cut them into medium-sized cubes, about 1.5–2 cm, so that after cooking they are soft but still hold their shape. Slice the sausage into fairly thick rounds so the pieces remain clearly noticeable in the finished dish. Peel the onions and dice them finely. Fresh parsley can be chopped at the beginning and set aside, as it will only be added at the very end.

In a large, heavy pot, ideally cast iron or another thick-bottomed pot, start by sautéing the onions. Place the pot over medium heat and add a small amount of fat, or simply rely on the fat that will later render from the sausage. Add the diced onions and cook them for a few minutes, stirring with a wooden spoon, until they become soft and translucent. The onions should soften and turn glossy but should not brown, as browning would make the flavour too intense for this dish.

Once the onions are ready, add the sliced sausage to the pot. Let it cook together with the onions for several minutes. During this time the sausage begins to lightly brown and releases its fat and aroma, which combine with the onions and create the flavour base of the entire eintopf. Stir from time to time so that the sausage browns evenly and nothing sticks to the bottom of the pot.

Add the diced potatoes to this aromatic base. Pour them directly into the pot and mix them thoroughly with the onions and sausage. Let them cook together briefly for a minute or two so the potatoes warm up slightly and absorb some of the flavour already present in the pot. At this stage add the seasonings: the bay leaves, freshly ground black pepper, and a small amount of salt. Salt should be added cautiously because the broth that will be poured in next may already contain salt, so it is better to adjust the seasoning fully at the end of cooking.

Next pour in the broth. The liquid should cover the ingredients by roughly two to three centimetres so the dish remains thick and hearty rather than becoming a thin soup. After adding the broth, stir gently and bring everything to a boil. When the eintopf begins to bubble, let it cook briefly without a lid so that you can easily control the heat.

Once the dish reaches a steady boil, place the lid on the pot but leave it slightly ajar. The eintopf should simmer gently over low heat for about twenty to thirty minutes. During this time the potatoes soften, and some of them begin to break down slightly, naturally thickening the broth. This is what gives eintopf its characteristic texture – rich and substantial, more like a stew than a soup.

Toward the end of cooking, taste the dish and adjust the seasoning with salt or pepper if needed. Remove the bay leaves from the pot, as they have already released their aroma. Finally add the chopped fresh parsley and stir it gently into the stew.

Serve the finished eintopf in deep bowls while it is still hot. It is traditionally eaten with a spoon and accompanied by thick slices of rustic bread, preferably sourdough or a mixed rye-wheat loaf. The bread is perfect for soaking up the rich, thick broth left in the bowl.

Guten Appetit!

You may also like the recipes for: French Onion Soup, Lithuanian Cold Beet Soup, French Beef Bourguignon, East European Solyanka or New Zealand Chowder.

German Potato and Sausage Eintopf

The Museum of Islamic Art at the Pergamon Museum

The Pergamon Museum in Berlin is world-famous for its incredible collection of ancient artefacts, including the iconic Ishtar Gate, a breathtaking reconstruction of Babylon’s monumental entrance. However, on the upper floor we can visit the Museum of Islamic Art, which showcases over a millennium of Islamic artistic and cultural achievements. It contains a wide variety of artefacts, including intricately woven Persian carpets, ceramic tiles, manuscripts, and fine metalwork from various regions such as Iran, Turkey, and Egypt.

One of the highlights of the collection is the Aleppo Room, a remarkable example of 17th-century Syrian interior design. This beautifully preserved wooden panelling once furnished the reception hall of a wealthy Christian merchant’s home in Aleppo, then part of the Ottoman Empire. The room’s walls are adorned with vibrant floral motifs, geometric patterns, and inscriptions in Arabic, blending secular and religious imagery in a way that reflects the multicultural nature of life in Aleppo at the time. The panels were sold to a collector in 1912 and later donated to the Pergamon Museum, where they’ve been carefully displayed for over a century. You cannot however admire this room at close as it is hidden behind a glass.

Aleppo Rooom in Museum of Islamic Art at Pergamon Museum

While exploring the museum, my attention was particularly drawn to the collection of prayer niches, known as mihrabs. Several of these mihrabs are on display, each one intricately decorated with geometric designs, calligraphy, and floral motifs. A mihrab is a semicircular recess in the wall of a mosque that indicates the direction of prayer (qibla), which is the direction Muslims should face during prayer – towards Mecca. Mihrabs can be made from various materials, such as marble, ceramics, or wood, and their decorations often include geometric patterns, calligraphy featuring verses from the Qur’an, and plant motifs, characteristic of Islamic art. The mihrab serves both a practical and symbolic function – it is the central point of the prayer space in a mosque and helps worshippers unite in prayer towards the holy city of Islam.

Prayer niches in Museum of Islamic art at Pergamon Museum

The collection of the Museum of Islamic Art at Pergamon Museum was established at the turn of the 19th and 20th centuries, during a time when interest in Eastern art and culture was growing in Europe. During this period, German archaeologists and researchers conducted numerous expeditions to countries in the Middle East, such as Syria, Egypt, Iran, Turkey, and Iraq. From these expeditions, many Islamic art pieces, including ceramics, textiles, metalwork, and manuscripts, were brought to Berlin.

The Museum of Islamic Art at the Pergamon Museum

Berlin Cathedral

The Berlin Cathedral (in German: Berliner Dom) is a prominent Protestant church and the largest church in Berlin. It is located on Museum Island in the Mitte borough of Berlin. Its construction began in 1894 under the architect Julius Carl Raschdorff. It was built on the site of a previous Baroque-style cathedral that had been demolished. The Cathedral was completed in 1905.

I have already seen countless cathedrals, basilicas, or churches in Europe. But upon entering this one, I was impressed by its perfect design and imperial look. It holds your eyes with impressive Baroque and Renaissance architecture, but it is not overdosed like many Baroque churches. You see gold, but not too much. It is adorned with beautiful mosaics, sculptures, and stained glass windows. Under closer scrutiny, you see the symmetry of the interior design that conveys a sense of order and authority.

The Berlin Cathedral on approach from its front and back, and the first look onto its interior and the dome.

The idea of constructing a cathedral in Berlin gained momentum in the late 19th century. It was the time when the German Empire that emerged upon the Kingdom of Prussia, led by Kaiser Wilhelm II, sought to assert its influence and compete with other European powers. The German Empire was officially proclaimed on January 18, 1871, in the aftermath of the Franco-Prussian War. The German Empire was a federal state with a constitutional monarchy. The monarch, initially Kaiser Wilhelm I, only briefly his son Frederick III, and later his grandson Kaiser Wilhelm II. It collapsed after World War I in November 1918. The war resulted in significant economic strain, social unrest, and military defeat. Kaiser Wilhelm II abdicated. The Weimar Republic was established.

The look onto the altar, the back and the organs which are located on your left hand side as you look onto the altar. Beneath the latter you can see sarcophages of the Prussian royalty.

The Cathedral became the main church for the Protestant Church of the Prussian Union. The Prussian Union was a historical Protestant church union that emerged in the Kingdom of Prussia, the predecessor of the German Empire in the early 19th century. The primary aim was to create a unified Protestant church structure that could bridge the theological and liturgical differences between Lutherans and Reformed Protestants. It was initiated by King Frederick William III of Prussia through a royal edict on September 27, 1817. At this time, Prussia was a significant German state with a diverse population practicing various forms of Protestantism, including Lutheran and Reformed (Calvinist) traditions.

The Berlin Cathedral suffered significant damage during World War II due to Allied bombings. The dome and much of the interior were severely affected. In the post-war years, the East German government took charge of the cathedral. As in all countries under Soviet influence, there was an overall trend of secularization. While the state allowed for the existence of churches, they were subject to state control and scrutiny. The interior was initially used for secular purposes. But later in the seventies extensive restoration efforts were undertaken, and the cathedral was reopened to the public in 1993 after substantial reconstruction.

Details of the Berliner Dom opulent interior.

There are various members of the Kingdom of Prussia burried beneath the Cathedral in the Hohenzollern Crypt – Frederick William I, the King of Prussia, and his wife, Sophia Dorothea of Hanover; Wilhelm I, the first German Emperor (Kaiser) and King of Prussia; Empress Augusta Victoria, wife of Wilhelm II (the last German Emperor), and others. Besides in the dome we can admire the so called canotaphs erected as symbolic memorials to individuals whose remains are located elsewhere – Frederick III, the German Emperor and King of Prussia for a very brief period in 1888. The sarcophages are made from luxurious materials such as precious metals, marble, or other valuable materials. They are adorned with intricate carvings, engravings, and decorative elements that symbolize the deceased person’s position. The cathedral also contains various memorials and plaques dedicated to individuals, including military personnel and clergy, who played significant roles in German history.

Opulent canotaphs inside the cathedral. It is difficult to make photos of them as they are placed behind massive bars.

The Berlin Cathedral’s dome is accessible to visitors willing to get to the roof. As I can recall it there was no lift inside, so I had to climb it using narrow stairs. The dome offers panoramic views of Berlin.

Berlin Cathedral