Musei Vaticani

Musei Vaticani

Musei Vaticani belongs to one of those museums where one is simply overwhelmed with all the artifacts, sculptures and paintings gathered in a relatively small space. It would be difficult to recall all of them, not to mention describing or even make photos of all of them. It would be simply too much.

In Musei Vaticani there a couple of routes you can take. Quite often the sightseeing begins with the antique section. Inside there are many sculptures, busts, reliefs, mosaics and other ancient artifacts. There are almost no paintings. That one will be however more than balanced in other parts of the museum. Walls and ceilings are of antique look. In this section of the Vaticani museum one should simply concentrate on the historical value of that, what one sees. The following sections are more about the art, paintings or frescoes as well as craftsmanship. There are a number of chambers that look like an art gallery, so the focus is indeed on the paintings on display. But there are chambers where one has to look around and look up. The most impressive frescoes are probably in the Raphael’s Rooms – a series of chambers painted by Raphael. But there are also at least two passages alongside long but long corridors with frescoes painted on ceilings. These are a couple of hundreds meters long each: one is a corridor with tapestry maps and the other one a series of consecutive corridors in the Bibliotheca Vaticana (>>>).

Visiting this museum one has to be prepared to find oneself in a crowd – there are daily hundreds of tourists, who want to visit this place. As far as the entrance is concerned: there is the official queue, in which one has to wait a longer time (around an hour or so). One can also use a quicker queue that in practice means use a service of a person (or a guide), who has a reservation. But one has to pay more for the ticket. The latter seems to be an under the desk procedure, but it works.


Index of posts on Vatican  >>>

A handsome man in a fancy garment. Papal Swiss Guard

Common knowledge says that they must fulfil certain conditions to be accepted into this force. This is true. Recruits must be single, between 19 and 30 years of age and at least 174 cm tall, Catholic and of Swiss citizenship. A requirement is also a degree and a completed basic training with the Swiss military.


Another common knowledge is that the basic design of the colourful official uniforms, Renaissance style, is of Michelangelo. The latter is however not true. According to the official Vatican website, the designer is Jules Repond, one of the previous Papal Swiss Guard commanders (early XX century). He is sometimes told to be inspired by the picture of men carrying the litter of Pope Julius II on one of the Raphael’s frescos on a wall in the Vatican complex. As is located in the Musei Vaticani area I tried to find it on photos I did inside. Indeed, the men carrying the litter wear robes with white collars and sleeves that are slightly of a comparable design. But only slightly. However the colours are not a match. As it is stated on the Vatican website there are similarities because this is the Renaissance like design.

As to the facts, the colours of the official uniform are the Medici colours. Medicis was a noble later royal family, with roots in Florence, Italy, whose coat of arms were six red balls onto a yellow background. As the rank of the family was raised by one of the French kings in the mid XVth century, the upper red ball was replaced with another one containing the French Kings’ symbol. Three gold Fleurs de Lis onto a blue background. Thus yellow/gold/orange, red and blue are told to be Medici colours.

Index of posts  on Vatican >>>


Enjoying my morning coffee I opened a news feed. One of the headline news was that there is a problem of overcrowding in Venice, known in winter season for its carnival festivities. And, there is a suggestion to limit access for those tourists, who do not stay overnight in the city. Whether the news is true or not, the problem of overcrowding in a number of spots worth sightseeing or spending holidays in Europe, and on other continents, rises today to a real problem both for inhabitants and for tourists. With the market liberalisation in the skies, opening of borders, including facilitation of student exchange, and probably some other factors playing the role, tourism seems to be booming.

In Europe, there are a number of major cities like Paris, Rome or Barcelona, but also many others like historical Italian cities where day to day life already became unbearable because of tourists, no matter the season. But the congestion becomes a nuisance for the tourists themselves, too. Last Sunday I was on the Eiffel Tour. A cold (around 0 degree Celsius) mid-February day, not the high season. The waiting time in the ticket & safety control zone and in the queue to the lift was around fifty minutes. The next day we were at the Louvre >>>. As we were an organised group that hired a guide we entered the museum quite quickly by the back door. But still although not in the high season the museum was on the edge of overcrowding. As most of the exhibition rooms are huge with quite good acoustics, there was a moment I caught myself at barely hearing my own thoughts. As we reached the room (or a hall) were the famous Mona Lisa is displayed my only thought was to photograph the audience.




A bit over a year ago in October 2015 I had the same experience in the Vatican Museums >>>. As the majority of exhibition rooms were smaller, there was not as much noise as in the Louvre, but still walking around was not possible in the most parts of the museum. The only way to move in the museum was to march together with the crowds. 



One of the ways to avoid crowds is to get up early and reach the place before it crowds up to just contemplate the art or the place. But still with limited holiday time it is usually many spots we want to visit at one day, so it is only one that we can visit each morning. And still even when on spot in the morning, we are among those few for only half an hour or so … Or we can look for interesting places to visit that are not that popular with tourists. As the overcrowding does not consider only historical objects but also popular sea and mountain resorts, when not ready for crowds one has to be indeed very selective and make proper research in the internet before planning a trip.

The other solution is simply accept the fact and think of proper logistics like visiting a restroom ahead and carry little food and water as well as plan the day so that a part we spent in the crowds but later on we visit a less attended place to keep balance.

A way to cope with overcrowding is of course imposing some kind of limitations. I have my doubts whether a regulation limiting access to Venice only for those who stay overnight would pass. But still there are popular galleries that did so. My favourite example is the Galleria Borghese in Rome (>>>), on an absolute must see list for an art fan visiting Rome. To get there you have to apply for reservation and be strictly on time. In exchange, you can visit it for two hours being one of only two hundred visitors allowed in the same time to the building. The only disadvantage is that if taking a spontaneous trip to Rome that we decide on a week ahead or so, we would probably not get the ticket in right time.

 Index of posts on France >>>   & on Vatican >>>