From Borghese collection: Minerva

The Borghese Gallery is an impressive art collection and one of the most important museums in Rome, housing a wide range of artworks from different periods and styles. Its collection includes exquisite sculptures, paintings, and decorative arts from the Renaissance and Baroque eras, as well as ancient mosaics and classical artefacts. Due to the gallery’s strict entry policy, visitors are allowed inside for only two hours at a time, making it challenging to fully appreciate every masterpiece on display. Among the photos from this collection, I came across a 17th-century bust by an unknown artist, depicting the goddess Minerva.

Minerva was a prominent goddess in Roman mythology, often associated with wisdom, strategic warfare, and the arts. She is considered the Roman equivalent of the Greek goddess Athena, and was venerated as one of the three deities of the Capitoline Triad, alongside Jupiter and Juno. Jupiter was considered the king of the gods and the god of sky and thunder, symbolizing authority and power. Juno was considered the queen of the gods and the goddess of marriage and childbirth, representing the protection of the state. Minerwa was considered the goddess of wisdom, crafts, and warfare, embodying intellect and strategic war. The worship of the Capitoline Triad in the Roman Empire was believed to ensure the stability and prosperity of Rome, with rituals and sacrifices performed regularly in their honor.

Representations of Minerva typically depict her as a majestic figure, wearing a helmet and holding a spear or shield, symbolising her protective and martial attributes. Her image was frequently featured in Roman art and literature as a symbol of intelligence, courage, and skill.

From Borghese collection: Minerva

From Borghese collection: Psyche is welcomed in Olympus

Psyche is welcomed in Olympus for the wedding with Love, Sala di Psiche. Seen in Galleria Borghese, Rome. The frescos on the ceiling by Pietro Antonio Novelli, depicts significant moments from the tale of Cupid and Psyche. Novelli (1729–1804) was an Italian painter, illustrator, and engraver of the 18th century. Born in Venice, he was a prolific artist known for his versatility in different artistic genres, including religious and historical scenes, portraits, and frescoes.

The central fresco shows Psyche being welcomed to Olympus for her marriage to Cupid. Psyche, a mortal woman of extraordinary beauty, arouses the jealousy of Venus, the goddess of love. Venus sends her son Cupid to make Psyche fall in love with a monster as a punishment for her beauty. However, Cupid himself falls in love with Psyche but forbids Psyche to look at him. Cupid’s demand for Psyche not to see him is a way to ensure that her love is true and not based on his physical or divine appearance. Psyche disobeys and lights a lamp to see Cupid’s face as he sleeps. Cupid flees, feeling betrayed. Psyche, heartbroken, undertakes a journey to win back Cupid’s love. She has to complete a series of impossible tasks set by Venus. Her perseverance and dedication eventually lead to her being granted immortality by Jupiter, the king of the gods, and she is finally reunited with Cupid. Their marriage symbolizes the union of the love and sould (Cupid and Psyche).

From Borghese collection: Psyche is welcomed in Olympus

Seen in Olomouc: Heracles and Hydra

Olomouc, located in the eastern part of the Czech Republic, has a beautiful old town where at every step we can come across Baroque buildings, including several Baroque fountains. Below a photo of one of them – Heracles and Hydra, located opposite the old town hall.

In the mythological tales of ancient Greece, Heracles (or Hercules in Roman mythology) faced the Hydra as one of his Twelve Labors. The Hydra was a fearsome, many-headed serpent-like monster that lived in the swamps of Lerna. It was said to be almost indestructible because if one of its heads was cut off, two more would grow back in its place. Additionally, one of its heads was immortal.

Heracles, accompanied by his nephew Iolaus, set out to slay the Hydra as his second labor. Recognizing that he could not defeat the Hydra by simply decapitating its heads, Heracles adopted a new strategy. Every time he chopped off one of the Hydra’s heads, Iolaus would cauterize the wound with a torch. This prevented the growth of new heads and gradually weakened the Hydra. Finally, Heracles cut off the Hydra’s immortal head and buried it under a large rock. He then dipped his arrows in the Hydra’s poisonous blood, which would later play a role in other stories about his adventures and challenges.

The tale of Heracles and Hydra symbolizes the idea that brute force alone is not enough to overcome certain challenges; instead, ingenuity and perseverance are required.

Seen in Olomouc: Heracles and Hydra