From Borghese collection: Minerva

The Borghese Gallery is an impressive art collection and one of the most important museums in Rome, housing a wide range of artworks from different periods and styles. Its collection includes exquisite sculptures, paintings, and decorative arts from the Renaissance and Baroque eras, as well as ancient mosaics and classical artefacts. Due to the gallery’s strict entry policy, visitors are allowed inside for only two hours at a time, making it challenging to fully appreciate every masterpiece on display. Among the photos from this collection, I came across a 17th-century bust by an unknown artist, depicting the goddess Minerva.

Minerva was a prominent goddess in Roman mythology, often associated with wisdom, strategic warfare, and the arts. She is considered the Roman equivalent of the Greek goddess Athena, and was venerated as one of the three deities of the Capitoline Triad, alongside Jupiter and Juno. Jupiter was considered the king of the gods and the god of sky and thunder, symbolizing authority and power. Juno was considered the queen of the gods and the goddess of marriage and childbirth, representing the protection of the state. Minerwa was considered the goddess of wisdom, crafts, and warfare, embodying intellect and strategic war. The worship of the Capitoline Triad in the Roman Empire was believed to ensure the stability and prosperity of Rome, with rituals and sacrifices performed regularly in their honor.

Representations of Minerva typically depict her as a majestic figure, wearing a helmet and holding a spear or shield, symbolising her protective and martial attributes. Her image was frequently featured in Roman art and literature as a symbol of intelligence, courage, and skill.

From Borghese collection: Minerva

From Borghese collection: Psyche is welcomed in Olympus

Psyche is welcomed in Olympus for the wedding with Love, Sala di Psiche. Seen in Galleria Borghese, Rome. The frescos on the ceiling by Pietro Antonio Novelli, depicts significant moments from the tale of Cupid and Psyche. Novelli (1729–1804) was an Italian painter, illustrator, and engraver of the 18th century. Born in Venice, he was a prolific artist known for his versatility in different artistic genres, including religious and historical scenes, portraits, and frescoes.

The central fresco shows Psyche being welcomed to Olympus for her marriage to Cupid. Psyche, a mortal woman of extraordinary beauty, arouses the jealousy of Venus, the goddess of love. Venus sends her son Cupid to make Psyche fall in love with a monster as a punishment for her beauty. However, Cupid himself falls in love with Psyche but forbids Psyche to look at him. Cupid’s demand for Psyche not to see him is a way to ensure that her love is true and not based on his physical or divine appearance. Psyche disobeys and lights a lamp to see Cupid’s face as he sleeps. Cupid flees, feeling betrayed. Psyche, heartbroken, undertakes a journey to win back Cupid’s love. She has to complete a series of impossible tasks set by Venus. Her perseverance and dedication eventually lead to her being granted immortality by Jupiter, the king of the gods, and she is finally reunited with Cupid. Their marriage symbolizes the union of the love and sould (Cupid and Psyche).

From Borghese collection: Psyche is welcomed in Olympus

From Borghese collection: Venus blindfolding Cupid

Venus blindfolding Cupid, by Titian. Seen at Galleria Borghese, Rome. Dated around 1565. The original painting was seemingly corrected by Titian, by removing one figure and adding a landscape in the background. There is no established information on the commissioning of the painting. The scene, difficult to interpret, has been identified as Venus Blindfolding Cupid in modern times.

Titian, born Tiziano Vecellio around 1488-1490 in Pieve di Cadore, Italy, was a prominent figure of the Italian Renaissance and the Venetian school of painting. His studio in Venice was a hub of creativity and innovation. While he remained largely based in Venice, his work reached far beyond, gaining acclaim across Italy and Europe. He received commissions from the Venetian government, the Papacy, and various European monarchs, notably Emperor Charles V and Philip II of Spain.

From Borghese collection: Venus blindfolding Cupid