Dynamic but sophisticated. Flamenco

On the second evening of our 48 hours stay in Madrid naturally, we visited a flamenco show offered in one of Madrid flamenco clubs (tablao), located in the vicinity of Puerta del Sol. No idea whether it is shows offered mostly to tourists or there are also locals visiting those clubs, but the club was full. The show lasted altogether around one hour. It involved five artists: a guitarist (tocaor), two singers (cantaores) – one lead and one backup, and two dancers (bailaores), who delivered a together dance and separate solos. All of them spent the majority of the show on stage, changing roles but busy almost the whole time. The show was a real team effort. 

The show was filled with guitar music (toque), singing (cante), and various vocalizations (jaleo) and dance shows (baile). And not to forget the great foot and handwork by dancers and singers, that was a real sound art. What is interesting, much of the footwork (zapateo, shoe tapping) was done in a sitting position. The handwork involved hand clapping (palmas) and finger-snapping (pitos).

Inmaculada Aranda, Pedro Cordoba (dancers) and Chelo Pantoja (lead singer).

To be frank, I went there with a bit childish understanding of flamenco, as only a dance art where women are dancing in beautiful long red dresses, accompanied by male dancers wearing black costumes. And expected sounds of castanets. But I spent the evening enjoying art that was all in one dynamic, passionate, and very sophisticated as to the performing techniques involved. 

Guitar music, singing, dancing plus foot, and handwork. Real teamwork on stage. Below some other impressions of the show, although sounds would be better to understand it. (Unfortunately, any recording was prohibited by the club.)

Flamenco traces its roots to the cultural melting pot of Andalusia, Spain. Emerging from a fusion of diverse influences, including Romani, Moorish, Jewish, and Andalusian Gypsy cultures, flamenco’s origins are as rich and varied as its expressive dance, music, and song. The genre took shape in the 18th century, with its early evolution occurring in the marginalized communities of Southern Spain. The fusion of indigenous folk traditions with the cultural tapestry of the region gave rise to the distinct styles and rhythms that define flamenco. The cante (song), toque (guitar playing), and baile (dance) form the triumvirate of flamenco, each expressing a unique facet of the human experience. Flamenco evolved through the centuries, adapting to societal changes while maintaining its roots in the struggles and triumphs of the people. It gained international recognition in the 19th and 20th centuries, captivating audiences with its raw emotional power and virtuoso performances. Today, flamenco continues to be a vibrant and evolving art form, celebrated for its ability to convey the depth of human emotion through the synergy of music, dance, and song.

Dynamic but sophisticated. Flamenco

An evening in a Paris style cabaret

Paris is one of the cities where whenever you come in winter or in summer you have much to do. Much sightseeing indoors and outdoors at light-time. Partying at night-time. Below, some scenes were seen on an evening in Lido, one of the Paris cabarets.

During our last stay there we saw two shows, one in Moulin Rouge and the other one in Lido. In Moulin Rouge, there is a strict ban on making shots. Lido also prohibits photographing, but the rules are not as severe as in Moulin Rouge. I asked for permission to make shots. So here it is, an evening show in a Paris cabaret in a small gallery of pictures.

Lido delivers a great show, but it a bit lighter than that of Moulin Rouge, where besides great bodies and great costumes the show offers two quite dangerous stunts and more acrobatics. In both cabarets, the guests are served champagne (included in the ticket price). Although much nudity is shown, the shows are not too adult for teenagers.

 

An evening in a Paris style cabaret

Fado

During our nearly two-week journey across Portugal, we began in Lisbon and then set out on a road trip to explore many of the country’s historic towns and landscapes before eventually returning to the capital for our final day. On that last evening, we decided to spend some time in the historic quarters of the city and listen to the haunting sounds of Fado – Portugal’s most iconic musical tradition.

The performance took place in a small, modest restaurant, the kind of intimate venue where this music feels most authentic. It was not my first encounter with Fado, however. A few years earlier, I had attended a Fado concert at the Portuguese embassy in Warsaw. Still, hearing it in Lisbon itself, in the city where the tradition was born, was an entirely different experience.

Fado is a soulful and deeply expressive genre of music originating in Portugal, renowned for its poignant melodies and introspective lyrics. Emerging in the early nineteenth century, it is most closely associated with Lisbon’s historic working-class districts such as Alfama, Mouraria, and Bairro Alto. The word fado literally means fate in Portuguese, and the music beautifully captures the concept of saudade – a uniquely Portuguese feeling of deep nostalgia and longing for something lost or distant.

Characterised by melancholic melodies and poetic lyrics, Fado often reflects the hardships of everyday life. Love, longing, separation, and resignation are recurring themes, but so too are pride, memory, and the quiet dignity of ordinary people. The music is typically performed by a vocalist known as a fadista, accompanied by two guitars: the Portuguese guitar – a distinctive twelve-string instrument with a bright, resonant sound – and the classical guitar, known in Fado as the viola. The performance style is highly emotional and intimate. In traditional settings, conversations stop, the lights dim, and the audience listens in near silence while the singer delivers each song with intense feeling.

The exact origins of Fado are still debated. Many historians believe the genre developed in early nineteenth-century Lisbon from a mixture of musical influences present in the city at the time. These likely included traditional Portuguese folk music, urban ballads, and rhythms brought by sailors and traders returning from Portugal’s maritime routes, particularly from Brazil and Africa. As Lisbon was a busy port city, cultural influences blended naturally in its taverns and neighbourhood gatherings. Over time, the music gradually moved from informal neighbourhood settings into theatres, concert halls, and radio broadcasts, becoming an increasingly recognised symbol of Portuguese culture.

Two main styles of Fado eventually emerged. Lisbon Fado, the more widely known style, is connected to the city’s popular neighbourhoods and is often performed in small restaurants known as casas de fado. Coimbra Fado, on the other hand, developed in the historic university city of Coimbra and is traditionally performed by male university students wearing academic cloaks. Its tone is generally more restrained and closely linked to academic tradition and poetry.

Today, Fado remains an essential part of Portuguese cultural identity. In 2011 UNESCO inscribed Fado on the Representative List of the Intangible Cultural Heritage of Humanity.

Fado