The Olomouc Cathedral

Olomouc is a historic city in the eastern Czech Republic, located in the Moravian region. Its well-preserved old town centers around the Lower Square (Dolní náměstí) and the Upper Square (Horní náměstí). The city’s origins trace back to the 10th century as a fortified settlement and later became the capital of Moravia. By the 11th century, Olomouc had become the seat of the Bishopric, marked by the consecration of St. Wenceslas Church, which later became the Olouc Cathedral in 1777 when the diocese was elevated to an archbishopric.

Olomouc flourished during the 14th and 15th centuries, despite the challenges of the Hussite Wars. Its strategic location on trade routes fostered commerce, creating a thriving market that attracted merchants. This wealth, along with the influence of the ruling elite, led to the construction of significant architectural landmarks. In the late Middle Ages, Olomouc emerged as well as a cultural and educational center, with the Jesuit College, which later became the University of Olomouc. The Thirty Years’ War saw Olomouc occupied by the Swedish army from 1642 to 1650, significantly impacting the city. Later on, the Baroque era brought reconstruction and the creation of landmarks, such as the Holy Trinity Column, built between 1716 and 1754 in response to a plague. Many of Olomouc’s churches, including the Gothic Cathedral of Saint Wenceslas, underwent various architectural transformations and feature opulent Baroque designs.

The city’s development was significantly influenced by the financial contributions and political influence of the Liechtenstein and Dietrichstein families. The House of Liechtenstein, one of Europe’s oldest noble families, funded numerous architectural projects in Olomouc to demonstrate their power and piety. The Dietrichstein family, originating from Austria, also played a pivotal role in the city’s development. Cardinal Franz von Dietrichstein, the most notable family member, served as the Bishop of Olomouc from 1599 to 1636. His tenure was marked by vigorous Counter-Reformation efforts, including the establishment of Jesuit institutions in the city and the construction of Baroque religious edifices, such as the Church of St. Michael.

Today, Olomouc is known for its historical city, with the votive columns, baroque fountains, churches and a prominent astronomical clock decorating the Town Hall, highlighting its rich historical and architectural heritage.

The Cathedral of Olomouc is located in its historical center. It is dedicated to Saint Wenceslas, who is a patron saint of Bohemia and a symbol of Czech statehood.  Wenceslas was the Duke of Bohemia from 921 until his assassination in 935. Wenceslas was a devout Christian who promoted the building of churches and was widely regarded as a benevolent leader. He was assassinated by his brother, who unlike Wenceslas had seen the Christian religion rather as a way to extend his political powers. The Olomouc Cathedral, also known as St. Wenceslas Cathedral, traces its origins back to the early 12th century. Founded around 1107 by Prince Svatopluk of the Přemyslid dynasty, the church was established to create a new bishopric center in Olomouc, underscoring the city’s burgeoning significance within the Moravian territory. At the time, Moravia was under the influence of the Holy Roman Empire, which played a crucial role in the region’s religious and cultural development. The cathedral was consecrated in 1131 and initially constructed in the Romanesque style.

The Olomouc Cathedral suffered significant damage due to fires in 1204 and 1266. These disasters necessitated substantial reconstruction efforts, which were undertaken at the behest of Bishop Bruno of Schaumburg. The decision to rebuild the cathedral in the High Gothic style was indicative of the architectural evolution occurring across Europe. The current Gothic structure dates mainly from the 13th century. However, if you look closely at the current cathedral facade on its left-hand side, you will notice a small building connecting the cathedral with the adjacent buildings. This is the remainder of the old Romanesque cathedral.

The presbytery dates from 1617-1618. In 1803, after a lightning strike, all three original towers were destroyed and replaced by a single central tower in a Classicist style. From 1883 to 1892, the cathedral underwent a Neo-Gothic renovation, adding two 68-meter front towers, three Neo-Gothic portals with tympanums, the Chapel of Saints Cyril and Methodius on the north side, and a 100.65-meter main tower on the south side of the presbytery, reinforced by six pillars with Gothic windows. In modern times, the cathedral was carefully restored between 2004 and 2007.


The Olomouc Cathedral as you approach it, enter it, get closer and closer to the apse and the main altar (closed behind bars so you can only make close ups) and trun around to see the Cathedrals’ exit.

The Olomouc Cathedral houses significant relics of Saint John Sarkander, a prominent figure in the history of the Roman Catholic Church in Moravia. John Sarkander was a Catholic priest who became a martyr during the Thirty Years’ War. During the conflict between Protestant and Catholic forces, Sarkander was accused of conspiring with the enemy and was subsequently arrested. Despite enduring severe torture, he refused to divulge confessional secrets, ultimately leading to his death in 1620. The relics are kept in a chest displayed prominently in the main nave on the right-hand side, enclosed within a protective glass box. Atop the glass box stands a statue of Saint John Sarkander. The site where John Sarkander was tortured to death is commemorated by a chapel devoted to his name. 

The statue and the relics od Saint Johan Sarkander in the Olomouc Cathedral.

Below details of the Olomouc Cathedral interior.

The Olomouc Cathedral

Inside the Cathedral of Wloclawek. Light, Detail, Silence

In the spring, we took a short trip to a spa located near Wloclawek in central Poland. We hadn’t planned on sightseeing, but on our way back, we decided to stop by the Cathedral of Wloclawek, as it’s a must-visit landmark in this part of the country. It was a Sunday afternoon. The cathedral was empty and most of the lights were off, but it was still open. When editing the photos, I had to brighten them up a bit. Still, even in the dim light, the impressive decorations of the interior were clearly visible.

Włocławek is a town located in central Poland. Already a thousand years ago, it was home to a settlement of the Goplan tribe. In the 10th century, the area was incorporated into the Piast state by Mieszko I, who is considered the first ruler of Poland. Włocławek is one of Poland’s oldest towns, having received its town rights in 1255. During the Middle Ages, it was an important trade and administrative centre.

In 1329, the Teutonic Knights attacked Włocławek as part of a broader campaign. The city was plundered, with many buildings, including the Romanesque cathedral, destroyed or severely damaged. This conflict with the Teutonic Order was only resolved after their defeat at the Battle of Grunwald. During the 15th and 16th centuries, Włocławek flourished as a significant trade hub due to its location on the Vistula River, a crucial trade route linking southern Poland with the Baltic coast. The river facilitated the exchange of goods such as grain, wood, salt, furs, and fish. Regular markets and fairs attracted merchants from various regions, contributing to the town’s prosperity. Craftsmanship was also a key part of the local economy, with numerous guilds operating in the town.

Like much of Poland, Włocławek suffered considerable damage during the Swedish wars in the 17th century. In the 19th century, following the partitions of Poland, the town came under Russian rule, generally viewed negatively in Poland. However, this period saw the town’s industrialisation, with the establishment of factories, including sugar refineries, mills, and chemical plants, making it a significant industrial centre. In 1873, Gustaw Becker founded the Faience Factory, whose products gained acclaim both domestically and internationally.

During World War II, many historic buildings in Włocławek were damaged or destroyed, but post-war restoration efforts aimed to revive them. The Cathedral of Wloclawek, one of the town’s key landmarks, suffered some damage but was restored and remains a major tourist attraction. After World War II, Włocławek also rebuilt its faience factory. To this day, I have quite a collection of decorative porcelain in my kitchen. However, the Faience Factory closed in 1991 after nearly 120 years of production due to changing market conditions following Poland’s political transformation. Despite the factory’s closure, Włocławek’s ceramic traditions continue through local craftsmen and artists who uphold the legacy of the town’s faience. When we visited Włocławek, we saw shops selling porcelain with designs reminiscent of those produced decades ago.

The construction of the Cathedral of the Assumption of the Blessed Virgin Mary in Włocławek, or simply the Cathedral of Wloclawek, began in 1340. Prior to this, there were at least two churches in Włocławek that might have served as the town’s main churches, but they were located in different places from the new cathedral. One of them was presumably a cathedral built in Roman style. The history of these early cathedrals still requires research, which can now only be provided by archaeological excavations.

The history of the third and current Cathedral of Wloclawek begins when the Teutonic Knights, supported by Czech forces, destroyed and plundered the city. The invaders ravaged the town, particularly targeting the bishop’s property. During this attack, the Romanesque cathedral was also burned down. The Teutonic Knights, under threat of death, forbade the rebuilding of the bishop’s town and cathedral, intending to subordinate the local diocese to the Order. In 1330, Bishop Maciej of Gołańcz decided to sign an agreement with the Teutonic Master, Werner von Orseln, which allowed him to some extent organise religious life in the devastated city.

The cornerstone was laid in 1340, with construction beginning in a new location outside the town, near the Vistula escarpment. The building process was lengthy, spanning several decades and reflecting the architectural styles and techniques of the period. The cathedral was consecrated in 1411 after the completion of the nave. By the end of the 15th century, the cathedral had assumed its impressive Gothic form, characterised by soaring arches, intricate stonework, and expansive stained glass windows. Over the centuries, the cathedral has undergone numerous modifications and restorations, each adding to its rich historical tapestry.

In the 17th century, Baroque elements were introduced, most notably in the form of altars and interior decorations. In the late 19th century, the cathedral underwent significant Gothic revival work, with the replacement of details and the heightening of both towers. This work also involved replacing numerous interior elements, which obscured the original Gothic character. Much of the modern-era furnishings were also removed. These works were completed in 1902, and in 1907, Włocławek Cathedral was designated a minor basilica.

We didn’t stay long, but it was enough for the cathedral to leave an impression. Sometimes you only notice things after the fact — in the photos, in the small details you missed at first. Maybe that’s why these unplanned stops often end up being the most memorable.

Inside the Cathedral of Wloclawek. Light, Detail, Silence

Unexpected. The Sanctuary of Gietrzwałd

When travelling I like to be suprised. It usually happens when I fully rely on the opinion of somebody who already had been at a place or made thorough reserch in the internet. Sometimes it is just someone’s recommendation. Traveling with my brother, I usually drive, guided only by his directions and a quick glance at the map for distance and time. On this trip, I didn’t even know our destination’s name, only that it was famed for being one of the Masuria most beautiful churches. And the Sanctuary of Gietrzwałd indeed turned to be outstanding. We arrived there on a quiet September afternoon. The church’s interior was barely lit. But when I started to do photos, and close ups I was getting to realise the details. Below a few photos just giving the glimpse of the interior. They are enhanced by adding to it more light. But they indeed reflect that what we have seen there.

The Sanctuary of Gietrzwałd, located in northern Poland, is a notable site of Roman Catholic pilgrimage. It gained prominence due to the reported Marian apparitions in 1877. Its history dates back to times of the Teutonic Order, when in a small village a chapel was built. Gietrzwałd was at that time under the administrative authority of the Warmian Bishops, who were members of the Teutonic Order but had a certain degree of autonomy. The chapel and the village were distoyed during the Polish-Teutonic War. Later by the end of the XVth century, a single-nave Gothic church was built on a stone foundation. With time the interior was adapted to the Renaissance style. During the Baroque period, the church was equipped with new altars. The church took its current form immediately after the apparitions, under the direction of Arnold Güldenpfennig, a German architect specialized in Revival Gothic. His designs were characterized by their adherence to Gothic architectural principles, yet they often incorporated modern construction techniques and materials. He enlarged the church to create a harmonious blend of the Gothic and new Neo-Gothic parts, without disturbing the Gothic section. A transept with galleries and a presbytery with a crypt were added, giving the church the shape of a Roman cross.

Sometimes the most peaceful places appear when you expect the least.

Unexpected. The Sanctuary of Gietrzwałd