Bath Abbey

When almost a year after my departure, I finally managed to go through the photos from the Altes Museum in Berlin, connecting the pictures of the Roman Collection with the photos of ancient ruins in Rome, I realized that I’m missing photos of Roman-era ruins from England. Indeed, the Roman Empire reached there as well. Either the photos did not want to load from the server or they simply are not here. So I copied all the originals from England yet again to my computer and discovered that I had never processed some of them.

When we were in England, which was eight years ago, it was almost incessantly raining. Many photos can only remind me of the trip, but they show interesting places in torrents of rain, so they’re not particularly suitable for showing. However, I also found some that were taken indoors in beautiful locations. Below is one of such places – Bath Abbey in English Bath.

Bath is a historic city located in Somerset, England. It is known for its Roman-built baths and natural hot springs. Bath’s history dates back to the Roman period when it was known as Aquae Sulis. The Romans built elaborate baths and a temple complex around the natural hot springs, which were believed to have healing properties. These Roman Baths are one of the city’s most famous attractions and are still partially preserved.

Bath Abbey, formally known as the Abbey Church of Saint Peter and Saint Paul, is an impressive medieval cathedral located in the heart of the city. The history of Bath Abbey can be traced back to the 7th century when it was originally founded as a Benedictine monastery. Over the centuries, the Abbey went through several transformations and expansions, reflecting various architectural styles. The current structure of Bath Abbey predominantly showcases stunning Gothic architecture. The abbey features soaring pointed arches, intricate stone carvings, and large stained glass windows that allow beautiful light to filter into the interior.

The first thing that catches your attention when entering this cathedral is its magnificent ceilings. As far as I can remember, it was the first time I saw this architectural style. These are called rib vaults. Rib vaults consist of a series of ribbed arches that are arranged in regular patterns and intersect with each other. The ribs are made of stone or brick and form the fundamental structure of the vault. The ribs provide support and distribute the load, allowing for the construction of larger and more intricate spaces. Rib vaults occur in various patterns and styles, depending on the era and architectural style. In Bath Abbey, Gothic rib vaults dominate, characterized by intricate networks of ribs in different shapes, such as pointed, lierne, or tierceron ribs. These ribs form elaborate patterns resembling foliage, ivory, or floral motifs. The construction of rib vaults requires precision and stonemasonry skills. The ribs are formed using centering, and the stones or bricks are meticulously fitted together. Building rib vaults requires the involvement of skilled craftsmen and is an example of excellence in medieval architecture.

Another stunning eye-catcher in Bath Abbery are the stained-glass windows. The colorful stained glass panels depict biblical scenes, saints, and other religious motifs, filling the abbey with a kaleidoscope of light and color.


Below are a few more photos from this cathedral. When I took them, I only had a simple camera with a small zoom. I think that if I were to capture the interior today, after a few overall shots, I would focus more on taking close-ups of individual decorative elements of the cathedral.

What stayed with me was not just the beauty of the stained glass or the height of the nave, but the sense of order held quietly in the stone. The ribbed vaults, so precise and weightless, seem to organise not only the space above, but the thoughts within.

Bath Abbey

The unfinished … Cathedral of Beauvais

It looks very impressive when you approach it, especially if seen from the historical streets at its Northside. It is dominating the perspective. From far away, you can clearly see the enormous Gothic apse. And you cannot wait till you see how its whole structure is looking like. 

You see the exterior of the apse with pinnacles and flying buttresses. On approach, you notice metal bars seemingly strengthening the massive structure. Getting closer, you see the impressive stained glass windows. The very decorative details of the Southern entrance are a real eye-catcher. It is not the severe early Gothic style, like in the case of the apse. The quick conclusion is that the builders started with the apse and the choir in early Medieval ages, adding later, probably during the Renaissance period, the opposite South- and Northside entrances. Nothing unusual, the construction of Medieval cathedrals was often spread over many years, even hundreds of years.

You get closer and closer, walking around the cathedral’s massive structure …

But something is clearly missing … You try to get the whole picture and ask yourself the only question on your mind …

Where are the main entrance and the bell towers? Where is the nave?

Out of curiosity, you make the round and …

… instead at the main entrance to a huge Gothic cathedral, you find yourself at an entrance to a seemingly well-preserved piece of Romanesque architecture – a church dated probably at the Carolingian time.

So, let us sort out the facts.

THE GOTHIC ARCHITECTURE

Churches build in past ages, mainly of Romanesque and Gothic style, had been constructed with the apse (the back part of the church, where the choir and altar are located) directed to the East. The main entrance was to the West. Hence the central nave was spreading from the West to the East. The apse of a French Gothic church had been of a round shape with a series of small chapels in its back (crown of the chapels called in French ‘chevet’).

The churches were built to reflect a cross shape. The central nave and the apse were crossed by the transept. The transept was spreading from the North to the South. In many French churches, the transept was short, not reaching far beyond the nave. The dome (if any) or a spire was built over the crossing of the nave and the apse with the transept. The nave was usually twice as long as the apse. The bell towers had been constructed on the Westside at the main entrance. The sun while rising was seen through the Eastern windows shining over the altar and the choir (within the apse), rounded the church from the South, and in the late afternoon while setting down was shining through stained glass windows placed over the main entrance on the Westside.

THE CATHEDRAL OF BEAUVAIS

The Cathedral of Beauvais consists of solely the choir with an apse and the transept. The nave seems to be cut-off. The existing Cathedral is altogether around 73 m long, with the choir of 47 m length. The transept is about 59 m long. The height is 67 m, with the vaulting of the choir reaching 48 m. If the rule of the nave being twice as long, as the choir was kept, the central nave should have been more than 90 m long, hence longer than the whole existing length of the present-day Cathedral…

With the Roman construction still kept, at least the part of it, at the Westside of the cathedral, we may quickly get to the conclusion the promoters and the builders did not make it. Yes, they did not.

THE STORY BEHIND

The original Romanesque-style Basilica was build in Carolingian times in the second half of the Xth century. The decision to rebuild it into a Gothic cathedral was made in 1225. As the roof of the Basilica was of wood, it often caught fire. A fire-resistant stone construction seemed to be safer. The Basilica was cut off at its Eastern side to make a place for the new structure. The cutting off was carried out in three phases taking out the whole transept and altogether six bays of the nave. The remains of the Romanesque building were reconstructed in the XIX century, with some ancient Gallic elements taken from other parts of the city.

In the XIII century, the Romanesque Basilica was named the Basse-Oeuvre church to distinguish it from the newly built Gothic cathedral called Nouvel-Oeuvre.

With the choir and the apse (including seven apsidal chapels) constructed, the Gothic Cathedral was open for prayer in 1272The original design of the choir was changed by a bishop, who wanted the cathedral to be the highest vaulted cathedral in the world. An extra 5 m of height over the choir was added. Twelve years after the construction was completed, part of the choir collapsed. Later on, additional pillars had been added to strengthen the structure, the technical design of vaulting was revised, but the revised height of the vault was kept.

The Hundert Years War and the siege of Beauvais by Charles the Bold halted the construction works for over 150 years. The war struggle caused only minor damage, so the works could have been continued on the transept. As much time passed by from the original Gothic concept (the XVI century just began), the transept was built in late Gothic flamboyant style (more decorative than early Gothic) as well as Renaissance style emerging that time. The works on the transept were completed in 1548.

It was time to build the naves. But the ambitions of the promoters were on something more spectacular. A decision was made to make the Beauvais Cathedral the biggest in the world. Six years later, an impressive spire of more than 150 m height was ready. Yes. The Beauvais Catherdal was indeed the highest in the world … for the whole four years. The spire had simply collapsed, destroying some parts of the transept. The spire was not rebuilt. The reconstruction of the transept consumed much of the funds envisaged for the nave. The nave and the bell towers were ultimately never built.

The cathedral was later devastated by a Calvinist sect during the reformation period >>> and subsequently heavily damaged during the bombings of WWII. Today you can freely visit the cathedral. While inside, you will notice some additional wooden and metal supports installed to provide for the structural stability.

The Beauvais cathedral is by far not the only one in Europe that was never completed. But in its case, it was not only a lack of funds, and war struggle that not allowed to finish the work. The promoters had sufficient funds. But at least twice the original design was changed in its core structure in line with the growing ambitions. By far, these were not only alterations in the architectural style. The changes made the core structure simply not resistant against additional burden. Parts of the cathedral collapsed twice.

If built to the end, the Beauvais cathedral would probably be among the biggest and the most impressive cathedrals in the world.

The unfinished … Cathedral of Beauvais

See the light, listen to silence

We arrived there on an early September morning. Autumn just began. It was full of light, warm sunlight flowing in through many windows. But it was still cold inside.

Everywhere was silence. But any move, a chair accidentally pushed by an inch or two sounded for a moment like a thunder present all around us, trembling against all walls till it died away.

True Norman Gothic. Witness to a thousand years of good and harsh times. Served as one of the most inhumane prisons in the history of England. Hosted the Hogwarts School of Witchcraft and Wizardry. Huge and austere, filled with warm light, but still cold. Silent but even capable of turning a slight move into trembling thunder in a split of a second.

The Cathedral Church of Christ, Blessed Mary the Virgin and St Cuthbert of Durham.

 

See the light, listen to silence