The Life and Reign of Elizabeth I, Queen of England

To get a better sense of England’s history, it helps to look at the people who shaped it. Today’s focus is on Elizabeth I — a queen whose reign left a lasting mark on the country and helped define a golden age. Her story is full of power struggles, religious conflict, and personal strength, which made her one of the most memorable figures in British history. It’s also a good chance to revisit the history of religious divisions in Europe — a topic that will be coming up yet again in my posts.

Elizabeth I (1533–1603) was one of England’s most remarkable monarchs. Her reign, spanning from 1558 to 1603, is known as the Elizabethan Era, widely regarded as a Golden Age in the nation’s history. She governed during a time of intense religious turmoil, which she managed to navigate with careful balance, ultimately establishing a strong Protestant state. Her rule marked a flourishing of literature and maritime expansion, laying the foundations for England’s future global influence. However, her reign was also shadowed by her fraught relationship with a rival claimant to the throne — Mary, Queen of Scots. Elizabeth never married, earning her the title of the Virgin Queen, as she symbolically married England. Yet her persistent refusal to take a husband or name an heir stirred anxiety over the kingdom’s future and the stability of the succession.

Elizabeth I was the daughter of King Henry VIII of England and his second wife, Anne Boleyn. Although initially recognised as a legitimate heir, she was declared illegitimate and removed from the line of succession after her mother’s execution in 1536. Later, however, an Act of Succession passed by Parliament during Henry VIII’s lifetime reinstated her in the order of succession – though without restoring her full status as a lawful daughter. Before Elizabeth came to the throne, it was held by her half-brother Edward VI, the son of Henry VIII and his third wife, Jane Seymour, who died young at the age of 15. He was succeeded by Mary I, daughter of Henry and his first wife, Catherine of Aragon – a devout Catholic who died without issue. Upon her death in 1558, Elizabeth ascended the throne as the last surviving, legally acknowledged daughter of Henry VIII, in accordance with his will and the law of succession. Her claim to the crown was contested primarily by the Catholic faction and the supporters of Mary Stuart, Queen of Scots, who regarded Elizabeth as illegitimate, since the Catholic Church had never recognised Henry’s marriage to Anne Boleyn. The Pope had refused to annul Henry’s first marriage to Catherine of Aragon, and thus Elizabeth – being the daughter of his second wife – was viewed by Catholics as born out of wedlock. As a result, Mary Stuart, the great-granddaughter of Margaret Tudor (Henry VIII’s sister), was considered by many as the rightful heir to the English throne.

Elizabeth I’s childhood was difficult, politically charged, and filled with uncertainty, despite her birth as a princess and the daughter of a king. She was born on 7 September 1533, the child of Henry VIII and his second wife, Anne Boleyn. From the beginning of the pregnancy, there had been an expectation that the baby would be a boy – a male heir to the throne – so the birth of a girl was a deep disappointment to the king. When Elizabeth was just three years old, her mother was accused –almost certainly falsely – of treason, incest, and witchcraft, and was executed in 1536. At the same time, Henry VIII declared Elizabeth illegitimate, removing her from the line of succession. Elizabeth, however, remained at court and received an exceptional education, far exceeding the standards of the time – for both women and men. She was taught classical languages, logic, rhetoric, and philosophy. Elizabeth became fluent in Latin, Greek, French, and Italian, and wrote with remarkable elegance and precision. During the reign of her half-brother, Edward VI, she was kept at the margins of power, but the greatest danger came during the rule of Mary I. As a Protestant and a potential heir to the throne, Elizabeth was viewed with deep suspicion by the queen. In 1554, she was arrested and imprisoned in the Tower of London on suspicion of involvement in a plot against Mary. Although no evidence of her guilt was found, she spent several months living in fear for her life.

As queen, Elizabeth restored Protestantism, originally introduced in England by her father Henry VIII following the Catholic reign of her sister, Mary I, by passing acts, which established a form of religious compromise. It is important to recall that a central motivation for Henry VIII’s break with the Catholic Church was his desire to annul his marriage to Catherine of Aragon, as she had failed to produce a male heir, and he wished to marry Anne Boleyn, Elizabeth’s mother – something the Pope refused to permit. Elizabeth’s religious policy, however, was at times inconsistent. Though often seen as the architect of a compromise between Catholics and Protestants, in reality her reign was not free from religious persecution, particularly against Catholics. These intensified following her excommunication. In 1570, Pope Pius V issued the bull declaring her a heretic and an illegitimate monarch. He released her subjects from their duty of obedience to her, leading to serious political and religious consequences. The excommunication gave moral support to Catholic plots against Elizabeth and heightened the threat posed by Catholic powers, especially Spain. In its wake, the queen increased repression of Catholics, treating them as potential traitors.

The relationship between Elizabeth I and Mary, Queen of Scots was complex – marked by political tension, personal mistrust, and a struggle for power. Though the two queens were related – they differed in nearly every respect: Elizabeth was a Protestant who ruled a stable England, while Mary was a devout Catholic whose reign in Scotland ended in rebellion and forced abdication. In 1568, Mary fled to England, hoping Elizabeth would help her reclaim her throne. Instead, she was immediately imprisoned and remained in captivity for the next 19 years, held in various castles. Elizabeth saw her both as a royal cousin and a serious threat to the English crown. Following the plot by nobles – a plan to assassinate Elizabeth and place Mary on the throne – Mary, though not directly involved in the conspiracy, was tried for treason, sentenced to death, and executed on 8 February 1587 at Fotheringhay Castle. Mary’s death had serious consequences: it damaged relations with Catholic powers in Europe, particularly Spain, and partly contributed to the attempted Spanish Armada invasion.

The Spanish Armada launched its attack on England in 1588, driven by escalating religious, political, and economic tensions between Catholic Spain and Protestant England. King Philip II of Spain, a devout Catholic, aimed to overthrow Elizabeth I and restore Catholicism in England, especially after her excommunication by the Pope in 1570. Tensions were further fuelled by Elizabeth’s support for the Protestant Dutch revolt against Spanish rule, and her tolerance of English privateers like Francis Drake, who frequently raided Spanish ships and colonies. The execution of Mary, Queen of Scots in 1587 – a Catholic figure seen by many as the rightful heir to the English throne – became a major turning point. For Philip, it confirmed the heretical nature of Elizabeth’s rule and provided a clear justification for military action. The Spanish plan involved uniting their fleet with ground forces in the Netherlands before invading England. However, the campaign ended in complete failure — the English launched a successful counterattack, and storms in the North Sea destroyed much of the retreating Armada. The defeat was seen as a major victory for Elizabeth I, firmly establishing England as a rising naval power.

The aforementioned Francis Drake played a significant role in Elizabeth I’s foreign policy as a key figure in her indirect conflict with Spain. Operating as a privateer under a royal letter of marque, he attacked Spanish ships and colonies, bringing substantial wealth to England and weakening Philip II’s power, all while avoiding formal war. Though seen as piracy by the Spanish, Drake’s actions fit perfectly into Elizabeth’s strategy of provoking and undermining her rival without officially declaring war. At the same time, Elizabeth supported his voyages of exploration, and his successful circumnavigation of the globe (1577–1580) boosted England’s prestige as an emerging maritime power. His knighthood in 1581 sent a clear message: Elizabeth not only approved of his actions, but regarded him as a crucial part of her policy toward Spain and England’s growing global ambitions.

Although Elizabeth I was not a patron of the arts in the traditional sense, her reign created an exceptionally fertile environment for the growth of culture, literature, and theatre. She valued poetry, theatrical performances, and education, and while her financial support was often more symbolic than systematic, her court attracted writers and actors alike. She supported the development of theatre by granting licences and royal protection, which allowed companies like the Lord Chamberlain’s Men – associated with William Shakespeare – to flourish. Culture also served political purposes: through art, Elizabeth’s image as a powerful, almost divine monarch was carefully shaped, and the flourishing of literature helped to engage the public and strengthen national identity. During this time, the English language rose significantly in status as a medium of high culture – Elizabeth herself often used it in public speech, and the works of Shakespeare and others helped elevate it to a literary force of its own.

In domestic affairs, Elizabeth I ruled with a great deal of caution – often bordering on suspicion and authoritarianism – which was reflected in the development of an extensive intelligence network. His web of spies operated both at home and abroad, effectively uncovering plots, assassination attempts, and any signs of opposition to the queen. While this system ensured internal stability and protected Elizabeth from genuine threats, it also led to restrictions on freedom of speech and civil liberties. Discussions about religion or the royal succession were closely monitored, and public commentary on such matters could be considered treasonous. As a result, society lived under a sense of suspicion and self-censorship, making Elizabethan England – despite its cultural flourishing – a state with a tightly controlled public sphere.

Although Elizabeth I spent much of her reign successfully strengthening the state and the economy – maintaining relative internal peace and supporting trade and the growing middle class – by the end of her rule, the socio-economic situation began to deteriorate. The costs of prolonged conflict with Spain, increased spending on defence and naval forces, along with poor harvests and rising inflation, led to higher taxes, unemployment, and soaring prices. The lower classes were hit hardest, as they saw little benefit from the era’s overseas expansion and cultural flourishing. Social discontent was growing, increasingly at odds with the official image of a powerful and prosperous England.

Elizabeth I was known for her use of intense white face powder, which became a distinctive element of her royal image. Made from toxic lead-based white, the powder was used to hide the scars left by smallpox and to give her skin the pale, unnatural hue then considered a mark of aristocratic purity and social superiority. Her makeup was completed with reddened lips and cheeks, often coloured using equally harmful substances. Despite the damage these cosmetics caused over time, Elizabeth continued to use them, carefully crafting the image of an ageless and untouchable queen. In her later years, she became increasingly obsessed with her appearance and the effects of ageing; according to some accounts, she had mirrors removed from her palaces so she would not have to see the toll taken on her skin by the very makeup that had helped build her legend.

Elizabeth I died on 24 March 1603 at the age of 69, at Richmond Palace near London. Her death followed a long period of declining health – she suffered from weakness, insomnia, and depression. In her final days, she refused to lie down or allow doctors near her. She died childless, bringing an end to the Tudor dynasty. After her death, the throne passed to James VI of Scotland, who became James I of England, the first monarch of the Stuart dynasty. A great-grandson of Margaret Tudor, sister of Henry VIII, and the son of Mary Stuart, he held a legitimate and recognised claim to the English succession. His accession marked the beginning of the personal union between England and Scotland.

Although some Catholics hoped James might restore their faith, given his mother’s background, he maintained Protestantism as the state religion, and after the discovery of the Gunpowder Plot in 1605, Catholic persecution intensified. Later, his grandson James II – the last Catholic monarch of England – would attempt to reintroduce Catholicism during his reign, but was deposed in the Glorious Revolution of 1688. The throne then passed to his Protestant daughter Mary II and her husband William of Orange, firmly re-establishing Protestant rule and ensuring that Catholicism would never again return as the state religion in England. I told the story of James II, Mary, and William after a short trip to the Netherlands. You can find it in one of my previous post.

The Life and Reign of Elizabeth I, Queen of England

The Holy Spirit Church of Tallinn

The Old Town in Tallinn, the capital of Estonia, is one of the best-preserved medieval cities in Europe. Almost every step reveals ancient medieval walls, whether at the castle or even while staying in a hotel in the middle of the Old Town. One such structure is the Holy Spirit Church. I was in Tallinn for a few days with a fairly tight sightseeing schedule. It was the only church interior in the city that I managed to visit and photograph as it was open to visitors on Monday and it was allowed to photograph it. There were moments when I was the only person visiting this church, so taking photos was made easier. Entry to the church is possible for a small fee. The church is difficult to photograph in its entirety because it is located within a dense urban setting.

The Holy Spirit Church in Tallinn exterior. The Old Town is situated on Toompea Hill. I took the upper photo from one of the higher observation terraces on Toompea.

The Holy Spirit Church in Tallinn is a Lutheran church. Before adopting Lutheranism, it was originally a Roman Catholic church. It transitioned to Lutheranism during the Protestant Reformation in the 16th century, reflecting the broader religious shifts occurring across Northern Europe at that time. This change was part of the widespread movement initiated by Martin Luther’s reforms, which were adopted extensively throughout the Estonian region under the influence of German and Scandinavian rulers. It was also the first church in Estonia to conduct services in the Estonian language. The shift to use Estonian, instead of Latin, was a crucial aspect of the Reformation’s broader goal to make religious practices and scriptures more accessible to the general population.

The interior of the Holy Spirit Church in Tallinn. The top photo was taken standing on one of the three wooden galleries, which also offer seating during services. It shows the two-aisled structure of the church. The middle photo shows a view of the left aisle, at the end of which is the altar. The bottom photo is a close-up of the 15th-century altar.

The Holy Spirit Church in Tallinn, was originally part of a larger almshouse complex established in the late 13th century. It has undergone numerous additions and transformations until the mid-17th century. This period also marked the church’s transition from Catholicism to Lutheranism. Despite these changes, the main altar has remained unchanged since 1483. During the 17th century, several key features were added to enhance the church’s interior. These included the wooden galleries and a wooden pulpit, both adorned with painted scenes from the Bible. The church’s renaissance spire and its clock, also dating back to the 17th century, are notable features; the clock is among the oldest public timepieces in Tallinn. The church’s organ was installed in 1929. The stained glass windows, however, are more modern additions from the late 20th century. The spire is a reconstruction of 2002 when the spire caught fire and had to be reconstructed.

The Holy Spirit Church of Tallinn

Berlin Cathedral

The Berlin Cathedral (in German: Berliner Dom) is a prominent Protestant church and the largest church in Berlin. It is located on Museum Island in the Mitte borough of Berlin. Its construction began in 1894 under the architect Julius Carl Raschdorff. It was built on the site of a previous Baroque-style cathedral that had been demolished. The Cathedral was completed in 1905.

I have already seen countless cathedrals, basilicas, or churches in Europe. But upon entering this one, I was impressed by its perfect design and imperial look. It holds your eyes with impressive Baroque and Renaissance architecture, but it is not overdosed like many Baroque churches. You see gold, but not too much. It is adorned with beautiful mosaics, sculptures, and stained glass windows. Under closer scrutiny, you see the symmetry of the interior design that conveys a sense of order and authority.

The Berlin Cathedral on approach from its front and back, and the first look onto its interior and the dome.

The idea of constructing a cathedral in Berlin gained momentum in the late 19th century. It was the time when the German Empire that emerged upon the Kingdom of Prussia, led by Kaiser Wilhelm II, sought to assert its influence and compete with other European powers. The German Empire was officially proclaimed on January 18, 1871, in the aftermath of the Franco-Prussian War. The German Empire was a federal state with a constitutional monarchy. The monarch, initially Kaiser Wilhelm I, only briefly his son Frederick III, and later his grandson Kaiser Wilhelm II. It collapsed after World War I in November 1918. The war resulted in significant economic strain, social unrest, and military defeat. Kaiser Wilhelm II abdicated. The Weimar Republic was established.

The look onto the altar, the back and the organs which are located on your left hand side as you look onto the altar. Beneath the latter you can see sarcophages of the Prussian royalty.

The Cathedral became the main church for the Protestant Church of the Prussian Union. The Prussian Union was a historical Protestant church union that emerged in the Kingdom of Prussia, the predecessor of the German Empire in the early 19th century. The primary aim was to create a unified Protestant church structure that could bridge the theological and liturgical differences between Lutherans and Reformed Protestants. It was initiated by King Frederick William III of Prussia through a royal edict on September 27, 1817. At this time, Prussia was a significant German state with a diverse population practicing various forms of Protestantism, including Lutheran and Reformed (Calvinist) traditions.

The Berlin Cathedral suffered significant damage during World War II due to Allied bombings. The dome and much of the interior were severely affected. In the post-war years, the East German government took charge of the cathedral. As in all countries under Soviet influence, there was an overall trend of secularization. While the state allowed for the existence of churches, they were subject to state control and scrutiny. The interior was initially used for secular purposes. But later in the seventies extensive restoration efforts were undertaken, and the cathedral was reopened to the public in 1993 after substantial reconstruction.

Details of the Berliner Dom opulent interior.

There are various members of the Kingdom of Prussia burried beneath the Cathedral in the Hohenzollern Crypt – Frederick William I, the King of Prussia, and his wife, Sophia Dorothea of Hanover; Wilhelm I, the first German Emperor (Kaiser) and King of Prussia; Empress Augusta Victoria, wife of Wilhelm II (the last German Emperor), and others. Besides in the dome we can admire the so called canotaphs erected as symbolic memorials to individuals whose remains are located elsewhere – Frederick III, the German Emperor and King of Prussia for a very brief period in 1888. The sarcophages are made from luxurious materials such as precious metals, marble, or other valuable materials. They are adorned with intricate carvings, engravings, and decorative elements that symbolize the deceased person’s position. The cathedral also contains various memorials and plaques dedicated to individuals, including military personnel and clergy, who played significant roles in German history.

Opulent canotaphs inside the cathedral. It is difficult to make photos of them as they are placed behind massive bars.

The Berlin Cathedral’s dome is accessible to visitors willing to get to the roof. As I can recall it there was no lift inside, so I had to climb it using narrow stairs. The dome offers panoramic views of Berlin.

Berlin Cathedral