Salzburg Fortress. A Walk Through Austria’s Largest Medieval Stronghold

Our recent twelve-day journey took us through the Czech Republic, Bavaria and the Austrian Alps. As we travelled back and forth across the borders between the three countries, stopping in Salzburg felt like a natural part of the route. After days of changing weather, mountain roads and historic towns, we arrived there on one of the hottest days of the trip. The temperature climbed well above 30°C and the sky was almost cloudless

No matter where you walk in Salzburg’s historic centre, your eyes are naturally drawn to the massive walls of Hohensalzburg Fortress. Standing high on Festungsberg Hill, it has dominated the city’s skyline for almost a thousand years and remains one of Salzburg’s most recognisable landmarks. Visiting it felt like an obvious choice. Although we had only one day to explore Salzburg, we deliberately set aside a few hours for the fortress. We spent our time walking through its courtyards, along the defensive walls and between its viewpoints, taking in both the architecture and the spectacular views across the city and the surrounding Alps.

To understand Hohensalzburg Fortress, it is worth looking first at the history of Salzburg itself. Unlike many other European cities, Salzburg was not simply part of a kingdom or duchy. For centuries, it was the capital of the Prince-Archbishopric of Salzburg, an independent ecclesiastical state within the Holy Roman Empire. The Holy Roman Empire was a loose federation of hundreds of kingdoms, duchies, principalities and ecclesiastical states in Central Europe that existed from 962 to 1806 under the nominal authority of an elected emperor.

The rulers of Salzburg were Prince-Archbishops. They were not only senior church leaders but also secular rulers who governed their own territory, collected taxes, administered justice and maintained an army. In other words, they exercised both religious and political power, making Salzburg one of the most influential ecclesiastical states in Central Europe.

The city’s prosperity was built largely on the salt trade, from which Salzburg takes its name. Salt was one of medieval Europe’s most valuable commodities, bringing wealth that allowed the Prince-Archbishops to finance churches, monasteries, public buildings and ambitious construction projects. It also gave them the means to build and continuously strengthen the fortress overlooking their capital.

By the beginning of the nineteenth century, however, the political landscape of Europe was changing rapidly. The French Revolution and the rise of Napoleon Bonaparte triggered a series of wars that transformed the map of the continent. One of the consequences was the gradual dissolution of the Holy Roman Empire, whose hundreds of kingdoms, duchies, free cities and ecclesiastical states had existed for centuries under the nominal authority of an elected emperor. Salzburg, despite its long tradition of independence, could not escape these changes.

In 1803, the Holy Roman Empire underwent its final major constitutional reorganisation, which secularised the Prince-Archbishopric of Salzburg. It became the Electorate of Salzburg and was granted to Ferdinand III of Habsburg, who had lost the Grand Duchy of Tuscany to Napoleon’s reorganisation of Italy. Although the city remained prosperous, its unique political status had come to an end.

The Napoleonic Wars brought further upheaval. After Austria’s defeat at the Battle of Austerlitz in 1805, Salzburg was incorporated into the Austrian Empire under the Treaty of Pressburg, only to change hands again a few years later. Following another Austrian defeat at the Battle of Wagram in 1809, Napoleon transferred most of Salzburg to the Kingdom of Bavaria, one of France’s closest allies. After Napoleon’s final defeat, the Congress of Vienna redrew Europe’s borders once more, and in 1816 Salzburg became a permanent part of the Austrian Empire, bringing to an end one of the most remarkable chapters in the city’s history.

The history of Hohensalzburg Fortress began in 1077, when Archbishop Gebhard von Helfenstein ordered the construction of the first fortifications on Festungsberg Hill. Europe was then in the midst of the Investiture Controversy, a political and religious conflict between Pope Gregory VII and Holy Roman Emperor Henry IV over the right to appoint bishops. As one of the Pope’s supporters, Gebhard needed a secure stronghold that could protect both himself and the authority of the Archbishopric of Salzburg.

The original fortress was far smaller than the impressive complex visitors see today. Built mainly of timber and stone, it served as a defensive refuge rather than a permanent residence. Over the following centuries, however, every generation of Prince-Archbishops expanded and strengthened the fortress, adapting it to new military technologies and changing political circumstances.

The transformation that shaped much of today’s Hohensalzburg Fortress took place at the end of the fifteenth century under Prince-Archbishop Leonhard von Keutschach. During his long reign, the medieval fortress was extensively enlarged, new defensive walls and towers were added, and many of the buildings that still define its appearance today were constructed. If you notice a turnip carved into stonework or decorating gateways during your visit, it is not a random ornament but the personal heraldic emblem of Leonhard von Keutschach.

One of the most remarkable facts about Hohensalzburg Fortress is that it was never captured by force during its long history. For more than nine centuries, despite wars, political upheavals and changing military technology, no enemy army succeeded in taking the fortress by assault. Its strength lay not only in its massive defensive walls but also in its location. Rising high above Salzburg on Festungsberg Hill, the fortress offered commanding views of the surrounding valleys and the approaches to the city. Any attacking force would have faced a difficult uphill advance while remaining fully exposed to defenders positioned on the walls and towers above. Although Hohensalzburg was strengthened repeatedly to keep pace with advances in siege warfare, it was rarely tested in large-scale military confrontations.

The fortress remained in military use until the beginning of the nineteenth century. During the Napoleonic Wars Salzburg was occupied by French forces. Unlike many medieval fortresses that ended their history in spectacular sieges, Hohensalzburg’s final military chapter was remarkably uneventful. In December 1800, during the War of the Second Coalition, French troops advanced into Salzburg after Austria suffered a series of defeats. Recognising that further resistance was pointless, the military commander surrendered the fortress without a major siege or prolonged fighting. After more than seven centuries of defending the city, Hohensalzburg passed into French hands almost peacefully.

During the nineteenth century Hohensalzburg was adapted to new purposes rather than abandoned. Parts of the complex were used as military barracks and storage facilities, while some sections served as a prison. The Austrian army carried out maintenance and limited alterations that helped preserve the buildings rather than fundamentally changing them. Unlike many European castles that fell into ruin or were dismantled for building materials, Hohensalzburg remained in continuous use.

By the late nineteenth and early twentieth centuries, attitudes towards historic monuments had begun to change. Restoration work focused on preserving the medieval and Renaissance fabric of the fortress, while improved access – including the opening of the Festungsbahn funicular in 1892 – made the site increasingly accessible to visitors. Today Hohensalzburg is one of Austria’s best-preserved medieval fortresses and one of the country’s most visited historic monuments.

We reached Hohensalzburg Fortress by the historic Festungsbahn funicular. Within a few minutes, the streets of Salzburg were left behind and replaced by stone walls, gateways and panoramic terraces overlooking the city. After leaving the funicular, we found ourselves on one of the lower viewing levels before realising that a lift continued to one of the highest accessible parts of the fortress. Starting our visit there turned out to be a good decision. Instead of working our way upwards, we could gradually explore the complex while making our way back down through its courtyards, passages and defensive walls.

One of the things I enjoyed most was that Hohensalzburg never felt like a place with only one route or one main attraction. There is a suggested direction for visitors, but it is easy to wander at your own pace, choosing different staircases, gateways and terraces as you go. Some areas are lively with visitors stopping to admire the views, while others are surprisingly quiet, making it easy to imagine what the fortress must have felt like centuries ago. In many ways, the experience reminded me of walking through Mont Saint-Michel, Stirling Castle or Suomenlinna. Not because they look alike, but because they invite you to explore rather than simply move from one exhibition to the next. Every turn reveals another section of wall, another courtyard or another viewpoint, and the pleasure comes from discovering the fortress little by little instead of following a fixed itinerary.

We spent around two hours exploring the fortress grounds, which felt like just the right amount of time. Although we did not visit the historic state rooms during this visit, exploring the fortress walls, courtyards and defensive structures gave us a clear understanding of how the fortress functioned and why it occupied such a strategic position. For us, the real attraction was the fortress itself – its scale, its medieval architecture and the freedom to simply walk, look around and enjoy the remarkable setting above Salzburg.

One of the greatest rewards of visiting Hohensalzburg Fortress is the view. From the defensive walls and viewing terraces, almost the entire Old Town of Salzburg unfolds below, with its narrow streets, church towers and distinctive rooftops.

Looking down from the fortress, it becomes easy to understand why this hill was chosen almost a thousand years ago. The position offered an uninterrupted view of the city and the surrounding valleys, allowing the Prince-Archbishops to watch over both their capital and the routes leading towards it. The fortress was not simply built above Salzburg – it was built to dominate it.

The panorama stretches far beyond the city itself. On a clear day, the surrounding mountains form a spectacular backdrop, reminding visitors that Salzburg lies on the northern edge of the Alps. Even after spending hours exploring the walls and courtyards, it is worth taking a moment to simply stand still and enjoy the scenery. It is one of those views that encourages you to slow down and appreciate both the landscape and the history that shaped it.

If you are planning a visit to Salzburg, I would certainly recommend setting aside a few hours for Hohensalzburg Fortress. It is not only one of the largest and best-preserved medieval fortresses in Europe but also one of those places where history, architecture and landscape come together in a way that is both easy to understand and genuinely enjoyable to experience.

Salzburg Fortress. A Walk Through Austria’s Largest Medieval Stronghold

A Quiet Encounter with History. Visiting Bari’s Norman-Swabian Castle

Bari is a city in Apulia, southern Italy. I spent a few days there, exploring both on foot and by car, driving in and out through the more modern parts of the city, which gave me a decent overview of its structure. Aside from contemporary districts, Bari it is historic centre, which can be divided into two clearly distinct areas. The first, Bari Vecchia, is the medieval quarter, with narrow alleyways, an old cathedral, and a castle. The second Quartiere Murat features a more neoclassical look, typical of many Italian towns. Its main artery is Corso Cavour, an avenue named in honour of the first prime minister of a united Italy.

Today’s post is dedicated to the castle. It is known as the Norman-Swabian Castle (Castello Normanno-Svevo di Bari), named after its historical ties to two powerful dynasties: the Normans and the Swabians (Hohenstaufen).

The castle was originally built around 1132 by King Roger II of the Normans, on the foundations of earlier Byzantine structures. It was intended to serve as a defensive fortress and a symbol of Norman rule in Apulia. The Normans, who hailed from Normandy in northern France, were descendants of Vikings who had settled there in the 10th century. In the 11th century, some of them – mainly as mercenaries – began arriving in southern Italy and Sicily, taking advantage of local conflicts among Byzantines, Arabs, the Papacy, and local rulers. Over time, under the leadership of the Hauteville family (notably Robert Guiscard and Roger II), they conquered Apulia, Calabria, Naples, and Sicily. In 1130, Roger II crowned himself King of Sicily, establishing a kingdom that encompassed much of southern Italy.

In the mid-12th century, Bari often rebelled against central Norman authority. In 1155, backed by the Byzantine Empire, the city rose up against William I, son of Roger II. In retaliation, the king ordered the destruction of the city walls and the castle – an act of repression and a demonstration of power against local dissent. Around a century later, following the takeover of the Kingdom of Sicily by the Hohenstaufen dynasty, the castle was rebuilt by Emperor Frederick II, son of Constance, daughter of Roger II. The reconstruction, carried out between 1233 and 1240, gave the castle its characteristic trapezoidal layout, with a central courtyard, massive corner towers, and a moat (except on the northern side, which bordered the sea).

In the 13th century, following the death of Frederick II and the fall of the Hohenstaufen dynasty, Bari came under the control of the Angevins, and from 1442, the Aragonese, as part of the Kingdom of Naples. During this period, the castle underwent gradual transformations – especially in the Renaissance era, when Isabella of Aragon and her daughter Bona Sforza transformed it into an elegant residence. A monumental staircase, chapel, and courtly interiors were added. In 1504, Bari fell under the rule of the Spanish Habsburgs. In 1696, a lightning strike hit one of the castle’s towers, igniting stored gunpowder and causing a major explosion that damaged both the castle and surrounding buildings.

After the War of the Spanish Succession, Bari came briefly under Austrian rule in 1707, and from 1734 became part of the Kingdom of the Two Sicilies, ruled by the Bourbon dynasty. During this time, the castle lost its residential status and was used as a prison and military barracks. In 1861, following the unification of Italy, Bari and its castle were incorporated into the newly formed Kingdom of Italy.

A popular legend is linked to the castle, involving Saint Francis of Assisi. During his journey to the Holy Land, he is said to have stopped in Bari, where Emperor Frederick II tested him by placing him in a tower with a young woman. Francis resisted the temptation, and the tower became known as the Monk’s Tower or Tower of Saint Francis.

Architecturally, the castle is defined by its massive stone structure, characteristic of medieval fortifications, designed to impress and defend. It is surrounded by a dry moat, once serving as an additional protective barrier, and accessed via a bridge that leads to the main gate. The layout follows a trapezoidal plan, with four sturdy corner towers framing a spacious central courtyard.

Yo can see the blend of architectural styles, reflecting the layers of history embedded in its walls. The robust Norman foundations are complemented by Swabian modifications combining military precision with elegant form. Gothic windows and arches soften a bit the austere structure, while later Renaissance additions give it a touch of refinement.

Exterior and interior views of the castle reveal the passage of time and a mix of architectural styles. The central courtyard feels rather bare, but it’s worth remembering this was originally a fortress, only later adapted during the Renaissance. The castle is largely unfurnished, with a few multimedia installations aiming to evoke its past

That said, much of the structure remains closed to the public due to ongoing restoration work. During my visit, I had the distinct impression that not everything has yet been unveiled — parts of the castle feel hidden or inaccessible, and some spaces could be better presented to help visitors connect with the site’s layered past. The inner courtyard, though spacious, felt somewhat stark and empty, offering little to linger over. With its few windows and fortress-like interiors, the castle clearly functioned more as a stronghold than a residence. Perhaps in the future, once renovations are complete, more of the building’s potential will be revealed.

Today, the Norman-Swabian Castle of Bari serves as a museum and cultural centre, hosting exhibitions, concerts, and artistic events. On the ground floor, visitors can explore collections of sculpture, ceramics, and archaeological finds – some original, others cast replicas. From an upper upper gallery at the ground floor, visitors can view archaeological excavations in the lower levels of the castle. The interior is sparsely furnished, with only a few pieces on display. However, visitors can walk through the chambers and along the defensive walls, where several rooms feature historical multimedia projections. The site also houses a Gipsoteca, a plaster cast museum displaying Romanesque art from Apulia, including details from the Basilica of Saint Nicholas in Bari and the Cathedral of Trani.

A few examples of the plaster casts on display in the Gipsoteca inside Bari’s castle.

When I visited the castle in late 2023, one of the halls featured a visual narrative on the life of Queen Bona. Who was Bona? She was the granddaughter of Alfonso II of Aragon, King of Naples, through her mother, Isabella of Aragon. In 1518, after marrying King Sigismund I the Old of Poland, she was granted Bari and Rossano as a fiefdom by Emperor Charles V. Although she spent most of her life in Poland, the castle in Bari remained part of her hereditary estate. She managed her Italian holdings and played an active role in administering the castle and surrounding lands. Both Bona and her mother transformed the fortress into a Renaissance residence, adding a monumental staircase and chapel. During this period, the castle became the seat of a refined court blending Italian and Polish influences. Bona’s legacy in Bari is so profound that her sarcophagus was placed above the altar in the nearby Basilica of Saint Nicholas (Basilica di San Nicola).

Scenes from the multimedia presentation on Queen Bona, featuring her elegant Renaissance dresses and her significant political role as Queen of Poland.

The Norman-Swabian castle of Bari is not yet a fully curated museum space, but its structure, setting, and historical significance remain an integral part of the old town’s landscape.

A Quiet Encounter with History. Visiting Bari’s Norman-Swabian Castle

The Holy Spirit Church of Tallinn

The Old Town in Tallinn, the capital of Estonia, is one of the best-preserved medieval cities in Europe. Almost every step reveals ancient medieval walls, whether at the castle or even while staying in a hotel in the middle of the Old Town. One such structure is the Holy Spirit Church. I was in Tallinn for a few days with a fairly tight sightseeing schedule. It was the only church interior in the city that I managed to visit and photograph as it was open to visitors on Monday and it was allowed to photograph it. There were moments when I was the only person visiting this church, so taking photos was made easier. Entry to the church is possible for a small fee. The church is difficult to photograph in its entirety because it is located within a dense urban setting.

The Holy Spirit Church in Tallinn exterior. The Old Town is situated on Toompea Hill. I took the upper photo from one of the higher observation terraces on Toompea.

The Holy Spirit Church in Tallinn is a Lutheran church. Before adopting Lutheranism, it was originally a Roman Catholic church. It transitioned to Lutheranism during the Protestant Reformation in the 16th century, reflecting the broader religious shifts occurring across Northern Europe at that time. This change was part of the widespread movement initiated by Martin Luther’s reforms, which were adopted extensively throughout the Estonian region under the influence of German and Scandinavian rulers. It was also the first church in Estonia to conduct services in the Estonian language. The shift to use Estonian, instead of Latin, was a crucial aspect of the Reformation’s broader goal to make religious practices and scriptures more accessible to the general population.

The interior of the Holy Spirit Church in Tallinn. The top photo was taken standing on one of the three wooden galleries, which also offer seating during services. It shows the two-aisled structure of the church. The middle photo shows a view of the left aisle, at the end of which is the altar. The bottom photo is a close-up of the 15th-century altar.

The Holy Spirit Church in Tallinn, was originally part of a larger almshouse complex established in the late 13th century. It has undergone numerous additions and transformations until the mid-17th century. This period also marked the church’s transition from Catholicism to Lutheranism. Despite these changes, the main altar has remained unchanged since 1483. During the 17th century, several key features were added to enhance the church’s interior. These included the wooden galleries and a wooden pulpit, both adorned with painted scenes from the Bible. The church’s renaissance spire and its clock, also dating back to the 17th century, are notable features; the clock is among the oldest public timepieces in Tallinn. The church’s organ was installed in 1929. The stained glass windows, however, are more modern additions from the late 20th century. The spire is a reconstruction of 2002 when the spire caught fire and had to be reconstructed.

The Holy Spirit Church of Tallinn