The Life and Reign of Elizabeth I, Queen of England

To get a better sense of England’s history, it helps to look at the people who shaped it. Today’s focus is on Elizabeth I — a queen whose reign left a lasting mark on the country and helped define a golden age. Her story is full of power struggles, religious conflict, and personal strength, which made her one of the most memorable figures in British history. It’s also a good chance to revisit the history of religious divisions in Europe — a topic that will be coming up yet again in my posts.

Elizabeth I (1533–1603) was one of England’s most remarkable monarchs. Her reign, spanning from 1558 to 1603, is known as the Elizabethan Era, widely regarded as a Golden Age in the nation’s history. She governed during a time of intense religious turmoil, which she managed to navigate with careful balance, ultimately establishing a strong Protestant state. Her rule marked a flourishing of literature and maritime expansion, laying the foundations for England’s future global influence. However, her reign was also shadowed by her fraught relationship with a rival claimant to the throne — Mary, Queen of Scots. Elizabeth never married, earning her the title of the Virgin Queen, as she symbolically married England. Yet her persistent refusal to take a husband or name an heir stirred anxiety over the kingdom’s future and the stability of the succession.

Elizabeth I was the daughter of King Henry VIII of England and his second wife, Anne Boleyn. Although initially recognised as a legitimate heir, she was declared illegitimate and removed from the line of succession after her mother’s execution in 1536. Later, however, an Act of Succession passed by Parliament during Henry VIII’s lifetime reinstated her in the order of succession – though without restoring her full status as a lawful daughter. Before Elizabeth came to the throne, it was held by her half-brother Edward VI, the son of Henry VIII and his third wife, Jane Seymour, who died young at the age of 15. He was succeeded by Mary I, daughter of Henry and his first wife, Catherine of Aragon – a devout Catholic who died without issue. Upon her death in 1558, Elizabeth ascended the throne as the last surviving, legally acknowledged daughter of Henry VIII, in accordance with his will and the law of succession. Her claim to the crown was contested primarily by the Catholic faction and the supporters of Mary Stuart, Queen of Scots, who regarded Elizabeth as illegitimate, since the Catholic Church had never recognised Henry’s marriage to Anne Boleyn. The Pope had refused to annul Henry’s first marriage to Catherine of Aragon, and thus Elizabeth – being the daughter of his second wife – was viewed by Catholics as born out of wedlock. As a result, Mary Stuart, the great-granddaughter of Margaret Tudor (Henry VIII’s sister), was considered by many as the rightful heir to the English throne.

Elizabeth I’s childhood was difficult, politically charged, and filled with uncertainty, despite her birth as a princess and the daughter of a king. She was born on 7 September 1533, the child of Henry VIII and his second wife, Anne Boleyn. From the beginning of the pregnancy, there had been an expectation that the baby would be a boy – a male heir to the throne – so the birth of a girl was a deep disappointment to the king. When Elizabeth was just three years old, her mother was accused –almost certainly falsely – of treason, incest, and witchcraft, and was executed in 1536. At the same time, Henry VIII declared Elizabeth illegitimate, removing her from the line of succession. Elizabeth, however, remained at court and received an exceptional education, far exceeding the standards of the time – for both women and men. She was taught classical languages, logic, rhetoric, and philosophy. Elizabeth became fluent in Latin, Greek, French, and Italian, and wrote with remarkable elegance and precision. During the reign of her half-brother, Edward VI, she was kept at the margins of power, but the greatest danger came during the rule of Mary I. As a Protestant and a potential heir to the throne, Elizabeth was viewed with deep suspicion by the queen. In 1554, she was arrested and imprisoned in the Tower of London on suspicion of involvement in a plot against Mary. Although no evidence of her guilt was found, she spent several months living in fear for her life.

As queen, Elizabeth restored Protestantism, originally introduced in England by her father Henry VIII following the Catholic reign of her sister, Mary I, by passing acts, which established a form of religious compromise. It is important to recall that a central motivation for Henry VIII’s break with the Catholic Church was his desire to annul his marriage to Catherine of Aragon, as she had failed to produce a male heir, and he wished to marry Anne Boleyn, Elizabeth’s mother – something the Pope refused to permit. Elizabeth’s religious policy, however, was at times inconsistent. Though often seen as the architect of a compromise between Catholics and Protestants, in reality her reign was not free from religious persecution, particularly against Catholics. These intensified following her excommunication. In 1570, Pope Pius V issued the bull declaring her a heretic and an illegitimate monarch. He released her subjects from their duty of obedience to her, leading to serious political and religious consequences. The excommunication gave moral support to Catholic plots against Elizabeth and heightened the threat posed by Catholic powers, especially Spain. In its wake, the queen increased repression of Catholics, treating them as potential traitors.

The relationship between Elizabeth I and Mary, Queen of Scots was complex – marked by political tension, personal mistrust, and a struggle for power. Though the two queens were related – they differed in nearly every respect: Elizabeth was a Protestant who ruled a stable England, while Mary was a devout Catholic whose reign in Scotland ended in rebellion and forced abdication. In 1568, Mary fled to England, hoping Elizabeth would help her reclaim her throne. Instead, she was immediately imprisoned and remained in captivity for the next 19 years, held in various castles. Elizabeth saw her both as a royal cousin and a serious threat to the English crown. Following the plot by nobles – a plan to assassinate Elizabeth and place Mary on the throne – Mary, though not directly involved in the conspiracy, was tried for treason, sentenced to death, and executed on 8 February 1587 at Fotheringhay Castle. Mary’s death had serious consequences: it damaged relations with Catholic powers in Europe, particularly Spain, and partly contributed to the attempted Spanish Armada invasion.

The Spanish Armada launched its attack on England in 1588, driven by escalating religious, political, and economic tensions between Catholic Spain and Protestant England. King Philip II of Spain, a devout Catholic, aimed to overthrow Elizabeth I and restore Catholicism in England, especially after her excommunication by the Pope in 1570. Tensions were further fuelled by Elizabeth’s support for the Protestant Dutch revolt against Spanish rule, and her tolerance of English privateers like Francis Drake, who frequently raided Spanish ships and colonies. The execution of Mary, Queen of Scots in 1587 – a Catholic figure seen by many as the rightful heir to the English throne – became a major turning point. For Philip, it confirmed the heretical nature of Elizabeth’s rule and provided a clear justification for military action. The Spanish plan involved uniting their fleet with ground forces in the Netherlands before invading England. However, the campaign ended in complete failure — the English launched a successful counterattack, and storms in the North Sea destroyed much of the retreating Armada. The defeat was seen as a major victory for Elizabeth I, firmly establishing England as a rising naval power.

The aforementioned Francis Drake played a significant role in Elizabeth I’s foreign policy as a key figure in her indirect conflict with Spain. Operating as a privateer under a royal letter of marque, he attacked Spanish ships and colonies, bringing substantial wealth to England and weakening Philip II’s power, all while avoiding formal war. Though seen as piracy by the Spanish, Drake’s actions fit perfectly into Elizabeth’s strategy of provoking and undermining her rival without officially declaring war. At the same time, Elizabeth supported his voyages of exploration, and his successful circumnavigation of the globe (1577–1580) boosted England’s prestige as an emerging maritime power. His knighthood in 1581 sent a clear message: Elizabeth not only approved of his actions, but regarded him as a crucial part of her policy toward Spain and England’s growing global ambitions.

Although Elizabeth I was not a patron of the arts in the traditional sense, her reign created an exceptionally fertile environment for the growth of culture, literature, and theatre. She valued poetry, theatrical performances, and education, and while her financial support was often more symbolic than systematic, her court attracted writers and actors alike. She supported the development of theatre by granting licences and royal protection, which allowed companies like the Lord Chamberlain’s Men – associated with William Shakespeare – to flourish. Culture also served political purposes: through art, Elizabeth’s image as a powerful, almost divine monarch was carefully shaped, and the flourishing of literature helped to engage the public and strengthen national identity. During this time, the English language rose significantly in status as a medium of high culture – Elizabeth herself often used it in public speech, and the works of Shakespeare and others helped elevate it to a literary force of its own.

In domestic affairs, Elizabeth I ruled with a great deal of caution – often bordering on suspicion and authoritarianism – which was reflected in the development of an extensive intelligence network. His web of spies operated both at home and abroad, effectively uncovering plots, assassination attempts, and any signs of opposition to the queen. While this system ensured internal stability and protected Elizabeth from genuine threats, it also led to restrictions on freedom of speech and civil liberties. Discussions about religion or the royal succession were closely monitored, and public commentary on such matters could be considered treasonous. As a result, society lived under a sense of suspicion and self-censorship, making Elizabethan England – despite its cultural flourishing – a state with a tightly controlled public sphere.

Although Elizabeth I spent much of her reign successfully strengthening the state and the economy – maintaining relative internal peace and supporting trade and the growing middle class – by the end of her rule, the socio-economic situation began to deteriorate. The costs of prolonged conflict with Spain, increased spending on defence and naval forces, along with poor harvests and rising inflation, led to higher taxes, unemployment, and soaring prices. The lower classes were hit hardest, as they saw little benefit from the era’s overseas expansion and cultural flourishing. Social discontent was growing, increasingly at odds with the official image of a powerful and prosperous England.

Elizabeth I was known for her use of intense white face powder, which became a distinctive element of her royal image. Made from toxic lead-based white, the powder was used to hide the scars left by smallpox and to give her skin the pale, unnatural hue then considered a mark of aristocratic purity and social superiority. Her makeup was completed with reddened lips and cheeks, often coloured using equally harmful substances. Despite the damage these cosmetics caused over time, Elizabeth continued to use them, carefully crafting the image of an ageless and untouchable queen. In her later years, she became increasingly obsessed with her appearance and the effects of ageing; according to some accounts, she had mirrors removed from her palaces so she would not have to see the toll taken on her skin by the very makeup that had helped build her legend.

Elizabeth I died on 24 March 1603 at the age of 69, at Richmond Palace near London. Her death followed a long period of declining health – she suffered from weakness, insomnia, and depression. In her final days, she refused to lie down or allow doctors near her. She died childless, bringing an end to the Tudor dynasty. After her death, the throne passed to James VI of Scotland, who became James I of England, the first monarch of the Stuart dynasty. A great-grandson of Margaret Tudor, sister of Henry VIII, and the son of Mary Stuart, he held a legitimate and recognised claim to the English succession. His accession marked the beginning of the personal union between England and Scotland.

Although some Catholics hoped James might restore their faith, given his mother’s background, he maintained Protestantism as the state religion, and after the discovery of the Gunpowder Plot in 1605, Catholic persecution intensified. Later, his grandson James II – the last Catholic monarch of England – would attempt to reintroduce Catholicism during his reign, but was deposed in the Glorious Revolution of 1688. The throne then passed to his Protestant daughter Mary II and her husband William of Orange, firmly re-establishing Protestant rule and ensuring that Catholicism would never again return as the state religion in England.

The Life and Reign of Elizabeth I, Queen of England

Mary II Stuart, the Protestant Queen of England

Sometimes, when you travel to different countries and visit museums, you come across works by local artists that depict people or events significant to that country’s history. You might realise you’ve seen the same figure or story before — just in a different context. I had exactly that kind of déjà vu while going through photos of artworks I’d taken at the Rijksmuseum in Amsterdam. While walking through the museum, I didn’t have time to read every plaque. The artworks were so captivating that I simply photographed whatever caught my eye. One of those images turned out to be a bust of a noblewoman.

After returning home, I used Google Lens to identify the creator of the bust and the person it portrayed. I learned that the artist was Jan Michiel Rysbrack, and the bust depicted Mary II Stuart, Queen of England. That discovery piqued my curiosity, so I went online to find out more. To my surprise, I realised I had already written about her a few years ago — in a post on the history of … Scotland.

The sculptor, a renowned Flemish artist, made significant contributions to British art in the 18th century. Born in 1694 in Antwerp – now part of Flanders, the Dutch-speaking region of Belgium – he moved to London in 1720. Back in 1700, Antwerp was still part of the Spanish Netherlands, a region in the southern Low Countries that remained under Spanish control from the 16th century until the early 18th century. Because of my work, I’ve often travelled to Belgium, and my recent trip to the neighbouring Netherlands might be the perfect occasion to write a post on the fascinating history of this region sometime soon.

For now, however, I’ll turn my attention to Mary Stuart, and explore why a Queen of England from a Scottish dynasty is featured so prominently in one of the main galleries of the Rijksmuseum in Amsterdam.

Mary II Stuart was born in 1662 at St. James’s Palace in London. She was the eldest daughter of James, Duke of York (later James II of England) and his first wife, Anne Hyde. Mary belonged to the Scottish Stuart dynasty, which had ruled England since the early 17th century. Although her father was a Catholic, Mary was raised as a Protestant – a decision that would prove crucial later in her life. Her uncle, Charles II, who was king at the time of her birth, was publicly Protestant, though he is believed to have converted to Catholicism on his deathbed. During his reign, it was politically expedient to maintain a Protestant public image in order to secure Parliament’s support and preserve stability. As for James, Mary’s father, the exact date of his conversion remains uncertain, but it is thought he became Catholic in the late 1660s. He kept his faith private for several years to avoid political repercussions, but by 1673, his conversion was publicly known. Nonetheless, keeping Mary’s Protestant upbringing was seen as vital to reassure Parliament and the English public that the Protestant succession would continue.

At the age of 15, in 1677, Mary married her first cousin, William of Orange – a Protestant and the son of William II, Prince of Orange, and Mary, Princess Royal of England, who was the daughter of Charles I of England. The marriage was part of a wider political effort to secure Protestant alliances for the British throne. At the time, Charles II, King of England and Mary’s uncle, was in poor health and – at least officially – remained Protestant.

William III of Orange was not King of the Netherlands in the modern sense of the term. Instead, he held the title of Stadtholder of the Dutch Republic from 1672. The Dutch Republic was a confederation of provinces in what is now the Netherlands, and the role of Stadtholder was neither hereditary nor equivalent to a monarchy. It was an appointed position, granted by the provinces, and primarily served as a military commander and political leader, rather than a sovereign ruler.

The Dutch Republic, officially known as the Republic of the Seven United Netherlands, was established in the northern part of the Low Countries in 1648, after gaining independence from Spain. Southern provinces such as Flanders, Brabant, and Hainaut remained under Spanish Catholic rule, a territory known as the Spanish Netherlands.

Mary’s father, James II, ascended to the English throne in 1685, but his Catholic faith and increasingly autocratic rule led to growing discontent across the kingdom. William’s marriage to Mary placed him in a strong position to challenge his father-in-law. In 1688, William III of Orange invaded England in what became known as the Glorious Revolution. James II fled to France, and William and Mary were jointly offered the throne by the English Parliament. Mary II reigned alongside William III until her death in 1694, and she was buried in Westminster Abbey. William continued to rule alone until his own death in 1702.

In the years that followed, the Jacobites — supporters of the deposed Stuart king James II and his descendants — sought to restore the Stuart monarchy to the thrones of England, Scotland, and Ireland, but ultimately failed in their efforts. Great Britain remained Protestant, and the Hanoverian dynasty eventually solidified its rule. The name Jacobite comes from Jacobus, the Latin form of James.

Mary II Stuart, the Protestant Queen of England

The Gothic Kings

Palacio Real de Madrid or Royal Palace of Madrid is on the absolutely must-see list, while sightseeing in Spain. The palace was built from scratch in the XVIII century after the old building was consumed by fire. It is told that the king deliberately allowed the old palace to burn to make place for a more representative residence.

The palace is considered one of the finest examples of Baroque architecture in Spain. The design of the Royal Palace of Madrid is attributed to several architects, including Filippo Juvarra, Giambattista Sacchetti, and Francesco Sabatini, who oversaw the Palace’s completion. The latter designed also, the Palace’s neoclassical façade in the mid-18th century. The Palace’s interior decoration and furnishings were designed by Francisco Bayeu, Anton Raphael Mengs, and Ventura Rodríguez, among others.

The Palace consists of 3,418 rooms. It is, unfortunately, forbidden to photograph the interiors. I could have indeed imagined spending long hours taking photos of the detailed artwork one can admire inside on walls (most of it embroidered by hand) and on ceilings. 

Although altogether not that decorative as the interiors, the outside design of the palace is imposing, too. Initially, the whole upper balustrade was to be decorated by statues of saints and kings. But ultimately, a decision was made to relocate most of them elsewhere to give the building a lighter appearance. There are still several statues decorating on the ballustrade, but most of the sculptures are decorating the parks and gardens around the palace. There are three squares directly adjacent to the palace: Plaza de Armeria, Plaza de Oriente and the Sabatini Gardens.

The Plaza de la Armería is situated within the grounds of the Royal Palace. It is named after the armory that was once located on the site. The armory was responsible for storing weapons and other military equipment used by the Spanish monarchy. Today, the square is used for a variety of ceremonial events, such as state ceremonies, military parades, and royal processions.

The entrance to the Palace from Plaza de la Armería. Look at the four statues on the upper balustrade over the main entrance and two at corners on the lower balustrade.

Plaza de Oriente is a public square adjacent to the Royal Palace, located at the right-hand side of the palace if looking onto the palace from Plaza de la Armería.  It was designed in the early 19th century during the reign of King Joseph Bonaparte, brother of Napoleon, as part of an ambitious urban renewal project that sought to modernize the Spanish capital. On its left and right side the Plaza de Oriente, that in fact is a park (or garden) is decorated by rows of statues, popularly known as the Gothic Kings.

The main view onto the Palace from the Plaza de Oriente

Statues of the Gothic Kings at Plaza de Oriente. 

A series of statues called the Gothic Kings was originally commissioned to adorn the palace roofline during the reign of King Charles III in the mid-18th century. However, due to concerns about the weight of the statues, they most of them were never installed on the palace roof. Instead, they were eventually placed in the Plaza de Oriente in 1844, during the reign of Queen Isabella II, where they remain today. During the Spanish Civil War (1936-1939), the Royal Palace of Madrid and its surroundings were severely damaged. The Gothic Kings statues were no exception. Some of the sculptures were destroyed, while others were damaged or defaced. After the war, efforts were made to repair the damage to the statues.

I do not think that the statues we may admire at Plaze de Oriente are the full collection of the Gothic Kings. Among them I found, both Visigothic kings and kings of the Reconquista period. Making only one close-up on the roof I located there two Visigothic kings, as well. Looking at line of sucession of major dynasties of that time (which I gathered below), I suppose, that statues at Plaza de Oriente are a part of a bigger collection of kings and queens of the Gothic era in Iberia that are located either on the ballustrades or around the Palace at plaza de Oriente and Sabatini gardens.

As the statues were designed and carved to originally decorate the balustrade of the palace, under closer inspection, they lack detail. But still, they are a real eye-catcher. Below, the full pantheon you can see at Plaza del Oriente in a small gallery of pictures with a historical comment I was able to gather in the Internet.

The Gothic Kings were the Iberian rulers, the Visigothic kings, and later nobles and kings, who after the Visigothic kings lost rule over Iberia to Moors, began and proceeded with the Reconquista. The Reconquista is a period in Spanish history that lasted from the 8th century until the late 15th century. It refers to the gradual reconquest of the Iberian Peninsula by the Christian kingdoms, which had been under Muslim control since the early 8th century. The Reconquista began in the early 8th century with the establishment of the Kingdom of Asturias, which was founded by Christian refugees who had fled the Muslim invasion. Over the next several centuries, the Christian kingdoms of Navarre, Aragon, Castile, and Portugal slowly expanded their territory and gradually reconquered the peninsula.

The Visigoths were originally a Germanic tribe that had migrated to the Roman Empire and had settled in what is now Romania and Bulgaria. It wasn’t until the early 5th century that the Visigoths invaded the Roman province of Hispania and established their own kingdom there. The first Iberian Visigothic king was a man named Athanaric, who ruled from 369 to 381 AD. However, it’s worth noting that the Visigothic kingdom was not yet established in Spain at that time. The first Visigothic king of Spain was a man named Theodoric I, who ruled from 418 to 451 AD.

The line of sucession of the Iberian Visigothic kings was as follows: Athanaric (369-381), Fritigern (384-386), Theodemar (386-395), Alaric I (395-410), Athaulf (410-415), Sigeric (415), Wallia (415-419), Theoderic I (419-451), Thorismund (451-453), Theodoric II (453-466), Euric (466-484), Alaric II (484-507), Gesalec (507-511), Theodoric the Great (511-526), the Ostrogothic King, acted as Regent for the youthful Amalric; Amalaric (526-531); Theudis (531-548); Theudigisel (548-549), Agila I (549-554); Athanagild (554-567); Liuva I (567-572); Leovigild (569-586); Reccared I (586-601); Liuva II (601-603); Witteric (603-610); Gundemar (610-612); Sisebut (612-621); Reccared II (621); Suintila (621-631); Sisenand (631-636); Chintila (636-640); Tulga (640-641); Chindasuinth (641-653); Recceswinth (649-672); Wamba (672-680); Erwig (680-687); Egica (687-702); Wittiza (700-710); Roderic (710-711). Roderic (also known as Rodrigo or Roderick) was the last king of the Visigothic Kingdom in Iberia, and ruled until his defeat by the Muslim Umayyad forces in the Battle of Guadalete in 711 AD. The defeat of Roderic and the Visigothic forces marked the beginning of the Muslim rule in Iberia, which lasted for several centuries.

At Plaza the Oriente I found four Visigothic Kings:

Ataulfo. Ataulf (also spelled Athaulf or Atawulf) (370-415) ruled from 410 to 415. He is best known for his marriage to Galla Placidia, the half-sister of the Western Roman Emperor Honorius, which was a significant political alliance between the Visigoths and the Romans. Ataulf’s reign began in the aftermath of the sack of Rome by the Visigoths under the leadership of Alaric I. In 414, Ataulf led a successful campaign against the Roman province of Africa, but was forced to withdraw due to lack of support from the Visigothic nobility. Ataulf’s marriage to Galla Placidia took place in 414 and was a significant political and diplomatic event. The couple had one son, Theodosius. However, Ataulf was assassinated in 415 before he could consolidate his power in the region. The circumstances of his death remain unclear, with some sources suggesting that he was killed by a rival Visigothic noble, while others suggest that he was assassinated by a servant or a follower of a Roman general. After Ataulf’s death, Galla Placidia was captured by a rival faction and held captive for several years. During this time, Theodosius was raised by his paternal relatives, and it’s unclear what role he played in the politics of the Visigothic kingdom. In 417, Galla Placidia was released and reunited with her son. She later married a Roman general and went on to play a significant role in Roman politics and became a powerful figure in her own right.

Eurico, also spelled Evaric or Eurico (?-484), reigned from 466 to 484 CE. He was the first Visigothic ruler to establish a kingdom that was fully independent of the Roman Empire. His predecessor, Theodoric II, had already taken steps towards independence, and had even briefly minted coins with his own image. Euric came to power by assassinating his older brother, Theodoric II, and consolidating his control over the Visigothic nobility. He then set about expanding his kingdom, conquering much of what is now modern-day Spain and Portugal. he established a treaty with the Romans in 475 that recognized Visigothic control over much of southern Gaul, including the cities of Toulouse and Bordeaux. Under Euric’s rule, the Visigoths established a legal code known as the Code of Euric, which helped to solidify their legal and administrative institutions. Euric also converted to Arian Christianity, a form of Christianity that was considered heretical by the mainstream Roman church. However, he did not impose it on his subjects, and allowed for religious freedom within his kingdom. Despite his successes, Euric’s reign was not without its challenges. He faced opposition from both the Romans and other Germanic tribes.

Leovigildo (520–586) was a Visigothic king of Hispania and Septimania from 568 until his death. He was the successor of King Liuva I and was responsible for important reforms in the administration of his kingdom, including the unification of the laws of the Visigoths and the Romans. During his reign, he conducted a series of successful military campaigns that helped expand the territory of his kingdom. He conquered the Suebi Kingdom in Galicia, and forced the Basques and Cantabrians to pay tribute. Leovigildo was also known for his religious policies, which aimed to unify the Christian church in Hispania. He converted from Arianism to Catholicism and persecuted the Arians, but also had disputes with the bishop of Toledo, who opposed his reforms. After his death, Leovigildo was succeeded by his son Reccared, who continued his father’s policies and converted the Visigothic kingdom to Catholicism.

Suintila was a Visigothic king who reigned from 621 to 631 when he abdicated. He came to the throne after the death of King Sisebut and his brother, King Reccared II. Suintila was known for his military campaigns against the Byzantine Empire, which had invaded the Iberian Peninsula in 620. During his reign, Suintila continued the policy of religious intolerance that had been established by his predecessors. He expelled Jews from the kingdom and persecuted Arian Christians, who were considered heretics by the Catholic Church. Suintila is also known for his efforts to centralize power in the Visigothic kingdom. He issued a series of laws, known as the Suintilian Code, which aimed to standardize legal practices throughout the kingdom. The code dealt with a variety of topics, including marriage, property rights, and criminal law. He was succeeded by Sisenand.

Many of the Gothic Kings statues from the Reconquista period at Plaza de Oriente are those of kings of Asturias, who later became kings of Leon. The Kingdom of Asturias was initially centered around the city of Oviedo, but over time, the royal court began to spend more time in the city of León. Eventually, King Alfonso III moved the capital to León permanently, and the kingdom became known as the Kingdom of León. The reasons for the move are not entirely clear, but some historians believe that it was due to León’s strategic location at the crossroads of several major trade routes. Additionally, the city was located closer to the growing Christian territories in the north of the peninsula, which made it easier to defend against attacks from Muslim forces.

The first king of Asturias was Pelayo (718-737), after him Favila (737-739), Alfonso I (739-757), Fruela I (757-768), Aurelio (768-774), Silo (774-783), Mauregato (783-788), Bermudo I (788-791), Alfonso II (791-842), Ramiro I (842-850), Ordoño I (850-866). Kings of Leon line of succession is as follows: Alfonso III (866-910), García I (910-914), Ordoño II (914-924), Fruela II (924-925), Alfonso IV (925-931), Ramiro II (931-951), Ordoño III (951-956), Sancho I (956-958), Ordoño IV (958-960), Sancho I (960-966) – restored, Ramiro III (966-984), Bermudo II (984-999), Alfonso V (999-1028), Bermudo III (1028-1037). After Bermudo III, there were several claimants to the throne, which led to a period of instability known as the “Anarchy of the Trescientos” (the Anarchy of the Three Hundred). This period lasted from 1037 to 1065, and it was characterized by civil wars and battles among various noble families and factions vying for power. During this period, several monarchs briefly held the throne, but none were able to establish a stable reign. Some of these monarchs were Vermudo III (1037-1043), Sancho III of Navarre (which ruled jointly with his wife, Mayor, as Sancho V and Mayor), who was elected by some nobles in opposition to Vermudo III (1043-1054), and Ferdinand I of Castile, who seized the throne in 1054 and ruled until his death in 1065. After Ferdinand I’s death, his son Sancho II of Castile became king, and he also claimed the throne of León. This led to the unification of the kingdoms of León and Castile under the rule of Sancho II.

Don Pelayo, Rei de Asturias (685-737) also known as Pelagius, was the first king of Asturias, reigning from 718 to 737. He was born into a noble family in the Kingdom of Asturias, which was that time a small Christian state in the north of the Iberian Peninsula that emerged in the aftermath of the Islamic conquest of Hispania. Pelayo is remembered for his leadership in the Battle of Covadonga, fought in 722, which was the first significant victory by Christian forces against the Islamic Moors. This battle is often considered the starting point of the centuries-long Reconquista, a period of Christian reconquest of the Iberian Peninsula. After his victory at Covadonga, Pelayo consolidated his power in Asturias and began the process of rebuilding the Christian kingdom. He was succeeded by his son Favila or directly his son-in-law Alfonso I (see below), who continued his work of expanding the kingdom and repelling the Moors.

Alfonso I, also known as Alfonso the Catholic (693-757), was the king of Asturias from 739 to 757. He was the son-in-law of the king Pelayo. King Pelayo had a son Favilla, who is believed to have died before he could succeed his father to the throne. While some historians believe that Pelayo was succeeded directly by Alfonso I, others suggest that Pelayo’s son Favila may have reigned briefly before his death, and that Alfonso I married Pelayo’s daughter and then took the throne. Alfonso I is known for his efforts to expand and consolidate the Christian kingdom of Asturias. He launched a number of military campaigns against the Muslims. He also oversaw the construction of a number of fortresses and other defensive structures throughout the kingdom. In addition to his military activities, Alfonso I is also known for his efforts to promote Christianity and strengthen the institutional foundations of the kingdom. He founded several monasteries and churches, including the monastery of San Vicente de Oviedo, which became an important center of learning and culture. He also supported the efforts of Visigothic refugees who had fled from the Muslim conquest to preserve and promote their cultural heritage. Alfonso I died in 757 and was succeeded by his son, Fruela I.

Alfonso II (791-842), also known as Alonso the Chaste was the son of Bermudo. During his reign, he continued the expansion of the Asturian kingdom by conquering Galicia from the Moors. He also established the city of Oviedo as the capital of Asturias. Alfonso II is credited with the construction of the Santa Maria del Naranco palace, which is located just outside of Oviedo. Alonso II is also known for his efforts to promote Christianity in his kingdom, including building churches and monasteries. He also oversaw the construction of defensive structures and fortifications throughout the kingdom, as well as the development of trade and commerce. He died in 842 and was succeeded by his brother, Ramiro I.

Ramiro I (?-850) was the son of Alfonso II, and the nephew of Bermudo I. Ramiro I’s reign was marked by some instability due to internal rebellions and external Viking attacks. The most notable of these was the Viking attack on Gijón in 844. The Vikings raided the town, plundered its wealth, and took many captives, including a number of nobles. To defend against these attacks, Ramiro I built a network of fortified towns and castles along the northern coast of the kingdom. These fortifications were designed to provide a defense against Viking raids and to allow the Asturians to launch counterattacks against the Vikings. Ramiro I managed to hold his grip on power and even expanded the territory of Asturias by taking control of the region of La Rioja. His reign is also notable for his efforts to promote Christianity, including the construction of several churches and monasteries. After his death in 850, he was succeeded by his son, Ordoño I.

Ordoño I, also known as Ordoño the Cursed (821-866), was a King of Asturias from 850 until his death in 866. He was the eldest son of King Alfonso II of Asturias and his wife, Queen Ermesinda, and succeeded his father’s brother. Ordoño I was a powerful and successful king, who expanded the territory of Asturias through a series of military campaigns against the Moors, who had occupied much of the Iberian Peninsula. He also strengthened the Asturian monarchy, consolidating its power and establishing a system of government that would endure for centuries. Despite his successes, Ordoño I was known for his cruel and violent temper, which earned him the nickname “the Cursed”. According to legend, he was cursed by a Moorish princess whom he had captured and taken as his concubine, and who predicted that he would meet a violent end. Whether or not this is true, Ordoño I did meet a violent end when he was assassinated in 866, possibly at the instigation of one of his many enemies. Despite his violent reputation, Ordoño I is remembered as one of the greatest kings of Asturias, whose reign marked a turning point in the struggle against Muslim rule in the Iberian Peninsula. He was suceeded by Alfonso III.

Alonso III, also known as Alonso the Great (848-910), was a King of Asturias and Galicia from 866 until 910, when he abdicated the throne and retired to a monastery. He succeeded his father, Ordoño I, as king at the age of 18. During his reign, Alonso III continued the Reconquista, the centuries-long Christian effort to recapture the Iberian Peninsula from Muslim rule. He led several successful military campaigns against the Moors, including the reconquest of the city of León in 910. Alonso III was also known for his administrative reforms, including the introduction of a written legal code. He is remembered as one of the most important and successful monarchs of the early Middle Ages in Spain. He was suceeded by his son Garcia I, who were then followed one by one by his younger brothers.

Ordoño II (873-924) was the King of León from 914 until his death, and also ruled Galicia during this time as a separate kingdom within the broader Astur-Leonese realm. He was the son of Alfonso III of Asturias and his queen, Jimena, and younger brother of Garcia I. During his reign, Ordoño II continued the process of reconquering the territories lost to the Muslims. He also strengthened the power of the monarchy by limiting the power of the nobles and by increasing his control over the church. Ordoño II was known for his military prowess and his patronage of the arts. He was a patron of the Mozarabic culture (the culture and traditions of the Christian communities that continued to exist in the region during this time, which included a mix of Roman, Visigothic, and Islamic influences) and was a prolific builder of churches and monasteries. He also supported the composition of poetry and music, and was himself a poet. Ordoño II died in 924, and was succeeded by his grandson, Fruela II.

Ramiro II, rei de Leon (900-951), also known as Ramiro the Great, was the son of King Alfonso III of Asturias and his queen consort Jimena of Pamplona. He became king of León in 931 after the death of his brother, Alfonso IV. Ramiro II was known as “the Devil” for his military tactics, which included attacking the enemy by surprise and with great force. He was also known for his piety, building several churches and monasteries during his reign. One of Ramiro’s most significant military campaigns was against the Muslims of Córdoba in 939. His victory at the Battle of Simancas effectively halted Muslim expansion into Christian territories and cemented his place in history as a great warrior king. In addition to his military accomplishments, Ramiro II was also known for his cultural patronage, supporting the arts and scholarship in his kingdom. He brought scholars from all over Europe to his court. Ramiro II died in 951 and was succeeded by his son, Ordoño III.

Alonso V, rei de Leon (999-1028) was the King of León from 999 until his death in 1028. He was the son of Bermudo II. When Bermudo II died in battle against the Muslims in 999, Alonso was only a child and so his mother, Elvira García, acted as regent until he came of age. Alonso V was known for his military campaigns against the Muslim kingdoms of al-Andalus, and during his reign, he conquered several territories and expanded the Kingdom of León’s borders. In addition to his military achievements, he was also known for his religious devotion and supported the establishment of several monasteries and convents. Alonso V was married to Elvira Menéndez, with whom he had three children. His eldest son, Bermudo III, succeeded him as king upon his death in 1028.

Fernando I, Rey de Castilla. Fernando I, also known as Ferdinand I of Castile (1017-1065), was a King of Castile and León, who ruled from 1037 (after the death of his elder brother García Sánchez III of Navarre) until his death in 1065. He was the son of Sancho III of Navarre and Mayor of Castile. He was married to Sancha of León. During his reign, Fernando I was a successful military leader and expanded the territories of Castile and León. One of his most significant military achievements was the conquest of the city of Coimbra in Portugal in 1064, which was an important center of the Muslim Taifa of Badajoz at the time. This victory helped to further establish Castile and León as powerful Christian kingdoms on the Iberian Peninsula. Fernando I was also known for his support of the Church and his patronage of religious institutions and monasteries. He founded several monasteries and was a strong advocate for the independence of the Church from secular authorities. After his death in 1065, Fernando I was succeeded by his son, Sancho II. He was buried in the Royal Pantheon of the Monastery of San Isidoro in León, where many of the Kings of León and Castile are interred.

Sancha, Reina de Leon. Sancha of León, also known as Sancha of Castile (1013-1067), was a Spanish queen and the wife of King Ferdinand I of Castile and León. She was born in 1013, the daughter of Sancho García, the Count of Castile, and his wife, Urraca Fernández. She married Ferdinand I of León in 1032 and became Queen of León upon his accession to the throne in 1037. Sancha was a patron of the arts and literature, and she was known for her piety and her devotion to the Church. She and Ferdinand I had several children, including Sancho II, who succeeded his father as King of León. Sancha was also a great-grandmother of the famous medieval military leader El Cid. After Ferdinand I’s death in 1065, Sancha retired to a convent in Sahagún, where she lived for the rest of her life. She died in 1067 and was buried at the convent. She was later canonized by the Catholic Church and is venerated as a saint, with her feast day celebrated on November 29th.

Fernan Gonzales, conde independient de Castilla. Fernán González (910–970) was a nobleman and the first independent count of Castile, a region in the northern part of the Iberian Peninsula. He was born in the second half of the 9th century into a noble family that was part of the Leonese aristocracy. Fernán González’s rule is characterized by his fight for independence against the Kingdom of León, which at the time was ruled by Sancho I. In 931, Fernán González was named count of Castile, which at the time was a frontier zone between León and the Muslim territories to the south. He consolidated his power and gained the loyalty of his vassals by fighting against the Moors and by granting land and privileges to his followers. Despite being a vassal of the Kingdom of León, Fernán González acted independently and eventually became de facto ruler of Castile. He created a network of alliances and intermarriages with other noble families, which helped him maintain his independence and expand his territories. Fernán González was succeeded by his son, García Fernández, who continued the fight for Castilian independence. The House of Castile, founded by Fernán González, would eventually become one of the most important noble families in medieval Spain, and Castile would emerge as a powerful kingdom in its own right.

Among the Gothic Kings I found also three representing the North.

The Kingdom of Navarre originated in the 9th century when a Basque chieftain named Íñigo Arista was elected as the first king of Pamplona in 824. Over time, the kingdom expanded its territory and power, eventually becoming known as the Kingdom of Navarre. In 1137, the County of Barcelona merged with the Kingdom of Aragon forming the Crown of Aragon. Navarre remained an independent kingdom until it was conquered by Castile in 1512.

Íñigo Arista, also known as Enneco or Íñigo I (?-851), was the first known king of Pamplona and the founder of the Arista dynasty. He ruled from approximately 824 to 851 and is credited with laying the foundations for the Kingdom of Navarre. According to legend, he was elected by a group of Navarrese nobles in the aftermath of a battle against the Moors, in which Íñigo played a crucial role. His reign was marked by the expansion of Navarre’s territory and influence, particularly towards the east.

Ramiro I, rei de Aragon (1007-1063) also known as Ramiro I of Aragon, also known as Ramiro I of Navarre, was the first king of Aragon, reigning from 1035 to 1063. He was the second son of Sancho III of Navarre, and upon his father’s death in 1035, he inherited the County of Aragon, which he turned into a kingdom. During his reign, he expanded the territory of Aragon through conquests and alliances, and was known for his military prowess and political acumen. He was succeeded by his son Sancho Ramírez (1063-1094) with the following line of sucession: Peter I (1094-1104), Alfonso I (1104-1134), Ramiro II (1134-1137), Petronilla (1137-1164), who abdicated in favor of her son, Alfonso II of Aragon (1164-1196).

Wilfredo el Belloso, as written on the statue. Wilfredo el Velloso, , which means “Wilfred the Hairy” in English, also known as Guifré el Pelós in Catalan (840-897), was a Count of Barcelona and Girona in the early 9th century. He is known for his efforts to expand the territory under his control and for his role in the establishment of the Marca Hispanica, a buffer zone created by Charlemagne along the Pyrenees to defend against Muslim invasions. Under Wilfredo’s leadership, the County of Barcelona became one of the most powerful regions in the Iberian Peninsula. He also played an important role in the development of the Catalan language and culture, and is considered one of the founders of Catalonia. Wilfredo was succeeded by his son, Wilfredo II el Velloso.

Making a close-up photo of the Spanish coat of arms you can see on the Palace’s Balustrade from Plaza de Oriente I found statues of two further Visigotic Kings.

There are two statues above the plaza that still decorate the balustrade: Reccared II and Liuva II, who were the Visigoth kings.

Liuva II (583-603) was a Visigothic king, who ruled over the Iberian Peninsula from 601 to 603. He was the son of King Recared I and his wife Bado. Liuva II’s reign was marked by turmoil and instability, as he faced challenges from both within and outside his kingdom. One of the major challenges Liuva II faced was a rebellion by a noble named Hermenegild, son of King Liuvigild and brother of King Reccared I. Hermenegild rebelled againts Liuva II because he had converted to Catholicism and wanted to overthrow Liuva II, who was an Arian Christian. Liuva II also faced external threats, as the Byzantine Empire and the Franks both sought to expand their territories into Hispania. Liuva II was able to fend off these challenges and maintain his position as king until he was deposed by his brother, Witteric, who then became the new king of the Visigothic Kingdom.

Reccared II (?-621), was a Visigothic king, who ruled in 621 until his death. He was the son of Swinthila, a previous king of the Visigoths. Reccared II’s reign was brief and little is known about his accomplishments or legacy

And yet another look at the Royal Palace from the Sabatini Gardens, a location of other statues of Gothic Kings initially designated to decorate the Palace. The gardens are named after the Italian architect Francesco Sabatini, the major contributor to the Place design.

The Sabatini Gardens, at the opposite side to the Plaza de Oriente

The royal palace is the official residence of the Spanish royal family. It is, however, only used for state ceremonies. The royal family neither owns the place nor lives there. The palace is owned by the Spanish State and administered by the Patrimonio Nacional.

The Gothic Kings