The Hobbiton movie set

Traveling New Zealand, we made ‘the obligatory’ stop at the Hobbiton movie set (>>>). ‘Lord of the Rings’ fan or not, the place seems today to be on New Zealand traveling must-do list.

The first original Hobbiton movie set was dissembled after the ‘Lord of the rings’ trilogy filming came to an end. Yet again, the movie set was created as the Hobbit saga was filmed. This time, however, a decision was made to preserve its vast majority and make it available for the saga fans and tourists.

Hobbiton movie set is located on a private property, which can be achieved only by coaches operated by a company set up by the family, who owns the land. In fact, the location was selected by the film crew as they were looking for a proper place flying in a helicopter over the area. Entering private land in New Zealand is forbidden and often, in fact, impossible because even big pieces of land are ring-fenced.

A scan of the Hobbiton movie set map we were given on the spot

The Hobbiton movie set is very picturesque and worthwhile. Do not, however, expect there any candy-look village. Much of the movie set details had been preserved. But nature around is partially left in the natural state. The absolute exception is one big but entirely artificial tree that was set up for the filming purpose and left as it was looking like during filming. You can see that it is artificial only after you are explained by the guide. No, you do not see it, really. You have to believe it.

The movie set is only outdoors. The interiors were filmed in film studios. If you look closer to the Hobbit house entrances, you notice the doors are of different sizes. They were designed the way so the actors, who play Hobbits, could fit in well, but any other (means Gandalf) would be too high. You will also see many set details that make the village look like it was still inhabited – a set of chess, laundry drying in the wind, or fishing equipment on a lake trap.

Bilbo Baggins’ pipe

The sightseeing tour is very well organized. As you make the reservation and pay the ticket (which you can, of course, make remotely from any place in the world), you are assigned an exact time when your coach departs. Our visiting group was relatively small. Around fifteen people, maybe. During the bus ride, you watch a video with some introduction made among others by Peter Jackson, the film saga promoter and director.

During our visit to the set, we were assigned a guide who was talking particulars and curiosities. Like the one that Sean Austin, aka Samwise Gamgee in one of the last scenes of the ‘Lord of The Rings’ trilogy, was surprised by the director, who not having told him appointed his little daughter to play Samwise’s daughter. Yes, I can recall the scene. His face looked truly surprised.

To be frank, you must make a choice. To take your time to take photos or to listen to the guide. You are given, of course, some time to take pictures, but as the village is widespread and the time for each visiting group limited, if you do not make the shots as you walk through, you will not take pictures at all locations that interest you.

The walk through the Hobbiton has taken us around two hours that ended in the Hobbiton local pub (a restaurant) designed for a ‘bit larger’ Hobbits. All Hobbits’ houses in the village are only exteriors. But in that restaurant, you feel like being inside, even in the restroom. We were served ginger beer. Yet again, you had to make a choice. Grab a bite or look around and take photos. Yet again, you must stick to the time plan. However, the next group that entered Hobbiton was the last one on that day with a different planning. The last group is the one that stays longer to enjoy a long evening in the Hobbits’ restaurant. I was a bit envious of them. If I were to plan the New Zealand travel schedule yet again, I would book the tour that includes the evening supper. It sounded like fun.

The Hobbiton movie set

Beauvais

Three years ago, on a trip to Portugal, I met a lady who used to work in a news agency as the chief international editor. A year after I met her again while in England and Scotland. We had a loose conversation about making photos on sightseeing trips. She told me (quite bluntly, probably used to criticize the young and inexperienced) that it was not essential to make overall views unless I wanted to make a reportage. That what counts these are the impressions. Although I still keep a habit of documenting the whole trip, I try to have in mind her words and to be blunt, I enjoy it. Below some photo impressions from the French Beauvais.

Beauvais has a long and rich history dating back to the Roman era, when it was known as Caesaromagus. During the Middle Ages, Beauvais was an important center of the woolen textile industry and the seat of a powerful bishopric. One of the most notable events in Beauvais’ history was the building of the Saint-Pierre Cathedral in the 13th century. The cathedral was designed to be the largest in France, with a height of 153 meters. However, due to structural problems and financial difficulties, only the choir and transept were completed, leaving the cathedral with a distinctive and unusual appearance.

During the Hundred Years’ War between France and England in the 14th and 15th centuries, Beauvais suffered greatly. The city was sacked several times and much of its architecture and infrastructure was destroyed. In the 16th and 17th centuries, Beauvais experienced a period of relative peace and prosperity, during which time many of its most impressive buildings were constructed, including the HĂ´tel de Ville (City Hall) and the Galerie Nationale de la Tapisserie. In the 18th and 19th centuries, Beauvais became an important center of the textile industry once again, specializing in the production of fine tapestries and carpets. The city also played a significant role in the French Revolution, with many of its citizens actively participating in the revolutionary movement.

During the World War II Beauvais was subjected to bombing raids by Allied forces, particularly in the lead-up to the Normandy landings in June 1944. Many buildings, including the Saint-Pierre Cathedral, had suffered damage during the war and required extensive repairs. The historical city of Beauvais is big and to some extent reconstructed after World War II bombings. But some parts are preserved as they used to be hundreds of years ago.

A view onto the enormous Gothic cathedral of Beauvais seen from a street with well-preserved old buildings. Buildings constructed of half-timbered walls are typical for this part of Europe. It is one of my favorite pictures from last year’s trip to France.

A wall of one of the houses in the street on the photo above. The half-timbered walls are filled in a very decorative way. The style is rather unusual.

And yet another one, less decorative but typical for this part of France.

Half-timbered houses houses are a type of building construction that were common in Europe during the medieval period, specifically between the 12th and 16th centuries. These buildings are characterized by their wooden frames, which are filled in with materials such as brick, stone, or plaster, often arranged in decorative patterns like herringbone or chevron. The technique of half-timbering allowed for the construction of sturdy yet flexible structures, which could better withstand the natural movements of the ground and changes in temperature and humidity. The wooden frame is left visible on the exterior of the building, creating a distinctive pattern of exposed timbers, often referred to as “black and white” when dark-stained wood contrasts with white infill. This method was not only practical but also aesthetically pleasing, and it became a hallmark of medieval European towns and cities.

The main square of the city known as the Place Jeanne Hachette. Place Jeanne Hachette is surrounded by a blend of historical and modern architecture, reflecting the town’s medieval origins and its evolution over the centuries.

Jeanne Hachette (the lady with an ax) – a local female hero. A statue that can be seen in the main square of the city.

Jeanne Hachette, also known as Jeanne Fourquet, was a French heroine who lived in the 15th century. She was born in Beauvais and is best known for her heroic defense of her city against foreign invaders. In 1472, the city of Beauvais was under attack by the troops of Charles the Bold, Duke of Burgundy. The invading army had breached the city walls and was advancing toward the center of town. Jeanne, who was a resident of Beauvais, picked up a pike and rallied the women of the town to defend their homes and families. According to legend, Jeanne rallied the townspeople by shouting “Aux armes, citoyennes!” (“To arms, citizenesses!”) and led a charge against the invading army. She is said to have killed one of the enemy soldiers with her own hands, and her bravery inspired the people of Beauvais to fight back and ultimately drive the invaders out of the city.

Still of old half-timbered houses in the quarter around the cathedral. On both photos, it is the same house but seen from the opposite perspectives. The house is located Abbé Gelée Street and dates back to 15th century. It was originally built in 1410.

The house was reconstructed in the late 20th century by the Association “Maisons Paysannes de l’Oise“. The house opened to the public in 1994 and now serves as an exhibit space. “Maisons Paysannes de l’Oise” is an association dedicated to the preservation and restoration of rural and vernacular architecture in the Oise department of France. Founded in 1965, the organization focuses on saving and maintaining traditional buildings that are integral to the region’s cultural and historical heritage.

The cathedral from the front side.

Inside the cathedral – the extraordinary stained glass work. The window is Gothic style, quite different from the one in the picture below that represents the Roman style of architecture and belongs to the Roman part of the Cathedral that was not replaced by the Gothic structure.

The Beauvais Cathedral was never really finished. It is neighboring the elder Roman church that was never incorporated into the cathedral. The photo shows a window typical of the Roman style of architecture.

The old Grand Hall, today converted into a museum

XVI century carpentry supporting the roof of the old Grand Hall.

The Old Grand Hall (la Vieille Halle) in Beauvais is a historic building that dates back to the 12th century. Originally built as a covered market, the Old Grand Hall was a hub of commerce and trade during the medieval period. It was used for buying and selling a wide range of goods, including textiles, food, and livestock. Over the years, the building has undergone several renovations and modifications. In the 16th century, a new roof was added. The roof carpentry of the Old Grand Hall in Beauvais is considered a masterpiece of medieval timber framing. It is a complex network of wooden beams and trusses that support the building’s roof and create its distinctive shape. It is made up of a series of intersecting gables, each with its own pitched roof. The large wooden trusses that span the length of the building. These trusses are supported by wooden pillars and braces, which help to distribute the weight of the roof evenly. Today, the roof carpentry is carefully maintained and preserved to ensure its continued longevity.

 

Beauvais

Rouen

Normandy is today best known to the world as a place where the allied forces landed onshore to begin one of the most significant military operations in world history that finally ended with the defeat of Nazi Germany.  The other association that comes forth quite quickly is the famous Mont St. Michel Abbey – one of the most frequently visited spots in Europe.

Yet, Normandy played quite a role in the history of Europe already at the beginning of the second Millennium. Like other coastal locations of the Western and Northern Europe, Normandy became a target of Viking raiders, who looted it many times. One of the Viking leaders known as Rollo made peace with a French king. In exchange for a right to settle down in Normandy, he promised to cease hostilities and accepted Christianity. With years, the Viking descendants melted with the local community giving birth to the so-called Norman culture.

A Norman king William, later known as William the Conqueror, claimed his rights to the English throne, which that time was in the hands of another branch of Viking descendants. After the successful military campaign, he was crowned as the king of England and introduced the Norman order in the English society.

For more than two hundred years, from XII to XV century,  the so-called Anglo-Norman dynasty ruled both England and Northern parts of France. The Anglo-Norman language was the official language that for good influenced English leaving it with many words of Nordic or German (Vikings) and French origin.

The very center of Normandy is Rouen, with its beautiful historic city dominated by a huge Gothic cathedral. In its right nave, you will find the grave of Rollo, the Viking who had chosen Normandy his home. The Cathedral of Rouen was many times partially destroyed by warfare, bombing, religious schisms, revolution, lighting, fire as well as construction mistakes. The list of damage is quite a long one. Yet each time it was rebuilt. Its contemporary look took hundred of years of works and many funds. Already if you look at its front, you will notice at the first site the architectural inconsistencies between its parts (compare, for example, the design of towers).

The cathedral of Rouen.

The historical city of Rouen, like many other historical cities in the region, had been carefully refurbished. Of interest are, of course, the half-timbered houses with timber frames painted in different colors. Half timbering was a construction technique used in medieval times in Western and Northern Europe. The main structure of a house was made of wooden poles. The space between them was filled with other materials, sometimes stone, but sometimes a mixture of cheaper ones. The upper floors of those houses were often bigger than the basement or chambers of a higher floor overhang over the first floor over the street. This way, the builders kept the streets wider but provided more housing space on the upper floors.

Half-timbered houses in the historical city of Rouen.

Yet, the city of Rouen witnessed another legendary event in its early years. If you get to the main square of the historical city in its midst, you will find a church. To be frank, it looks a bit as off place. But if you walk it around, you will find a small field of wildflowers and a small board beneath it explaining that it is where Jeanne d’Arc, a French hero, was burned at stake. At the church wall, a bit hidden, you will find a statue of Joanne d’Arc consumed by flames.

The main square of the historic city of Rouen. In its midst, a church, and behind it, the place where Joanne d’Arc was burned at stake.

Jeanne d’Arc (1412-1431) called the Maid of OrlĂ©ans was a hero of the so-called 100 years war, a period when France struggled to recover from the English domination. The war started as the descendants of William the Conqueror (of the English-Norman dynasty) claimed through years the right to the French throne.

As a teenager, Jeanne d’Arc had a vision of saints, who told her to fight against the English and help the French Dauphin (heir to the French throne) to regain the rule over the French territory. Following her visions, she engaged in politics and military actions. Ultimately, she managed to attract the interest of the French Dauphin himself. Although she was wearing armor, according to historians, she never engaged in a fight. But on battlefields, she carried a banner. She was serving as a military advisor, as well.

For the fate of the campaign against the English changed with her appearance (including the ending of the siege of Orleans), she gained a symbolic status.

After she was captured by a group of French nobles allied with the English, she stood trial and was burned at stake on 30 May 1431. Ages later, she was declared a national symbol of France by the decision of Napoleon Bonaparte.

Rouen