From Borghese collection: Venus blindfolding Cupid

Venus blindfolding Cupid, by Titian. Seen at Galleria Borghese, Rome. Dated around 1565. The original painting was seemingly corrected by Titian, by removing one figure and adding a landscape in the background. There is no established information on the commissioning of the painting. The scene, difficult to interpret, has been identified as Venus Blindfolding Cupid in modern times.

Titian, born Tiziano Vecellio around 1488-1490 in Pieve di Cadore, Italy, was a prominent figure of the Italian Renaissance and the Venetian school of painting. His studio in Venice was a hub of creativity and innovation. While he remained largely based in Venice, his work reached far beyond, gaining acclaim across Italy and Europe. He received commissions from the Venetian government, the Papacy, and various European monarchs, notably Emperor Charles V and Philip II of Spain.

From Borghese collection: Venus blindfolding Cupid

Our Lady of Antwerp

It happens quite often that you go to a historical city intending to see a famous building. But on the spot, you see only wrappings and scaffolding. The long-needed renovation works are taking place. So it is today in Antwerp, Belgium. The famous town hall at the Grote Markt is fully wrapped and the higher spire of Our Lady cathedral for its most part, as well. The cathedral is densely surrounded by the historical city. Although the Cathedral is the largest Gothic church in the Low Countries, making clean photos is difficult.

The Antwerp Cathedral seen from the Grote Markt.

Looking from far away onto the Our Lady Cathedral, already, at first sight, one can see the discrepancy between the two towers. The question you ask yourself is, then, was it the original design or the construction works were ceased for some reason. Indeed, a Gothic Cathedral usually consists of two belfries of equal height. And so was the original design. The construction works started in the mid-XIV century. The foundation stone was laid in 1352. During this time, the city was a vital trading center (member of the Hanseatic League), contributing to its economic prosperity. The city became a major financial hub. The construcion of the Cathedral was continued.

But the XVIth century, brought religious tensions, with the rise of Protestantism and the subsequent Spanish Inquisition. Antwerp was heavily affected by the Eighty Years’ War (1568-1648), a conflict for Dutch independence from Spanish rule. In 1585, the Spanish army successfully besieged and captured Antwerp, leading to the city’s decline. In this time after 170 years, works on the Cathedral had been ceased without completion. Several years after, the Cathedral caught fire. It was saved, but the construction works had been postponed. As it turned out, for good. Water used during the firefighting efforts destroyed the ceilings and the Gothic carpentry.

Further damage, came with the French revolution. Our Lady was plundered and severely devastated. The French revolutionary government intended even its demolition, but ultimately the Cathedral was saved. The restoration works began in XIX and ended with a complex revival in the late XX century.

The interiors of Our Lady are now available for visitors for a small fee of EUR 6. Making photos inside, provided that you do not use flash, is allowed. So let us visit the Antwerp Cathedral as it looks like today.

The front looks onto the central nave. Already, at first sight, you notice that the Cathedral is also an art gallery. Some of the huge masterpieces on display are a loan from the Royal Museum of Fine Arts Antwerp.

The central nave, the side naves, the dome, and the apse.

The interior seems very austere. You will not see there much gold. But the thirty-four huge stained glass windows, detailed carpentry, and huge paintings displayed in the side naves are real eye-catchers. Already, at first sight, you are under the impression, that he Cathedral is an art gallery. You may admire here the works by Rubens as well as other Flemish (or Belgian) masters.

Indeed, until the Reformation and the French revolution, pillars, chapel altars and walls of Our Lady Cathedral were decorated by great paintings of Flemish masters. During the religious and revolutionary struggles, many works were destroyed, removed, stolen, or sold. Ultimately, the Flemish authorities could recover works that survived. In 2009, the Royal Museum of Fine Arts in Antwerp returned eight of the most beautiful altarpieces to the Cathedral. Furthermore, from 2009, eight other works, mainly triptychs, are on loan from the Museum and had been integrated into the Cathedral’s current interior.

One of the triptychs from the Royal Museum of Fine Arts on display in the Antwerp Cathedral.

As the initially Gothic interior was completed in the renaissance, baroque, and later neo-Gothic style, walking around the Cathedral, you just must stop many times to observe the details. Do not forget to enter the oak choir-stall and to look up. The ceilings, in particular in the side naves, are decorated with frescoes of a very decent but still very decorative look.

Just a small selection of art pieces you can admire in the Cathedral.

Although admitted for visitors, the Cathedral is still an active place of worship. Understandably during a mass, it is off-limits for tourists (it includes regular masses as well as weddings and funerals). As I visited the Cathedral, it was close to 5 pm. Preparations for a mass were already taking place.

Our Lady of Antwerp

Sabines

Sabines, a name which was since always part of my vocabulary. But, I never did much thought to its origin. For me, it was the name of the premises on the university campus where I used to party. The parties were cool. Quite cool. This year while sightseeing in Louvre I had, however, a kind of eureka feeling about this name.

Being in an art gallery, I have a habit of choosing one-piece or two that I like, making a photograph to better remember the visit and the place. You cannot only remember it all. One of the paintings I liked much, quite a huge one, was the Intervention of the Sabine women by Jaques-Louis David, one of the greatest French masters, who lived in times of the first French Revolution and the Napoleonic times. The painting may be admired in the Louvre.

Sabines are a part of legends around the Kingdom of Rome (the predecessor of the Roman Republic and the Roman Empire). As Romulus, the first king of Rome established the city, it was only him and his warriors. To settle down, they needed wives. So, Romulus and his warriors went on a quest and kidnapped women of a tribe called Sabine, who lived not that far from Rome. Sometime later, the Sabine men raided Rome to free their women. But those were already wives and mothers, not keen to leave their new homes. So they placed themselves between the warring parties, a scene depicted by David on his famous painting. There are some other versions of this legend in circulation. For all annals of the Kingdom of Rome were lost in an enemy raid, we cannot confirm whether this legend is a historical fact or not. Sabine tribe is however historically confirmed.

 

Sabines