St. John Sarkander Chapel in Olomouc

When I went on a brief business trip to the Czech city of Olomouc last year, I didn’t expect that I would take so many photos in the short breaks between meetings. The weather was favorable, albeit very hot. Olomouc captivates with its baroque architecture, evident in several churches and chapels around the old town, as well as in votive columns and fountains. I photographed one such chapel just before our return home, but I did not have time to read about it. It is a beautiful small baroque chapel located in a narrow street leading to the Upper Square. The chapel is dedicated to Saint John Sarkander and is built on the site where St. John Sarkander was imprisoned and tortured to death in 1620. The chapel is open to visitors, but its interior can only be viewed through a grate.

The John Sarkander chapel was erected in the early 18th century (between 1708 and 1710) to honor Sarkander’s martyrdom and is located near the former city walls, precisely at the spot of the former prison. Its architecture and interior decoration reflect the baroque style, characterized by elaborate ornamentation. Inside the chapel, there is an altar with a depiction of Sarkander’s torture, and the crypt houses a glass coffin containing a wax figure of the saint, surrounded by relics and artifacts associated with his life and death.

John Sarkander (1576–1620) was a Moravian priest who became a notable figure in the history of the Catholic Church, especially within the Czech Republic and Poland, for his steadfast adherence to the seal of confession and his subsequent martyrdom. Born in Skoczow, Poland, after his ordination in 1607, he served in several parishes. His life took a dramatic turn in 1618, following the outbreak of the Thirty Years’ War. In 1620, after the death of his wife, he moved to Moravia and served in the parish of Holesov. Sarkander was accused by some members of the Protestant community of conspiring with Catholic forces. The accusations were largely based on his interactions with a Catholic army that had passed through the area, but the primary charge against him was his refusal to break the seal of confession when pressured to reveal the confessions of those involved in anti-Habsburg activities. Sarkander was imprisoned in Olomouc, where he was subjected to severe torture. Despite this, he refused to divulge any information he had received during confession, upholding the confidentiality that is central to the Catholic understanding of the sacrament. He died from his injuries on March 17, 1620, without having been convicted of any crime. Sarkander was beatified in 1859 and canonized a saint by Pope John Paul II in 1995.

St. John Sarkander Chapel in Olomouc

Champagne pool

Alluring, is it not?

The stunning beauty of this place is truly mesmerizing. Unfortunately only on a photo seen being somewhere else. The visual charm clashes with the overwhelming presence of noxious fumes. When you are getting closer and closer, you can barely take a breath. The air becomes thick with an intoxicating blend of fumes overwhelming the senses. It is hardly only the carbon dioxide bubbles, reminiscent of champagne, that rise to the surface, but all other intoxicating fumes that arise from this lake. I needed two or three approaches to photograph it at close.

This hot spring called Champagne pool is approximately 900 years old and has a surface temperature of around 74°C . It measures about 65 meters in diameter and is around 62 meters deep. The distinctive orange color seen around the edges of the pool is due to the deposition of minerals, especially orpiment and realgar, which are both arsenic sulfide minerals. These minerals, along with others like gold, silver, mercury, and thallium, are present in the water and contribute to its unique coloring. Champagne Pool is part of the Waiotapu Thermal Wonderland, a popular tourist attraction that showcases New Zealand’s geothermal activity.

Champagne pool

Le Roy d’Espagne

The Brussels Grand Place or Grote Markt in Brussels (Belgium) is probably the most glamorous central square of Europe. It is surrounded by very representative buildings funded by numerous Brussels craft guilds. All of them are carefully decorated with busts, sculptures, reliefs, ornaments, and quite much gold leaf. 

Le Roy d’Espagne (the King of Spain), also known in Dutch as Den Coninck van Spaignien, is house No. 1 on the Grand Place. Built in 1697, after the square’s reconstruction following the 1695 French bombardment, it occupies the site of the Serhuyghs family’s stone residence, one of Brussels’ seven noble families.

Originally, Le Roy d’Espagne served as the headquarters for the bakers’ guild, officially the Maison de la Corporation des Boulangers (House of the Corporation of Bakers). Above the ground floor entrance, there is a depiction of Saint-Aubert, the patron saint of bakers, overseeing the building.

A view onto the Grand Place. In Front from left to right the houses Le Renard, Le Cornet, La Louve, Le Sac, La Brouette and Le Roy d’Espagne. To the left the Grand Hall and to the right the King’s House.

The building got its name from an ornate bust of Charles II, the King of Spain in 1697, featured prominently on its second-floor façade. At that time, Charles II was not only the monarch of Spain but also the sovereign ruler over the southern Netherlands, now Belgium.

The first floor’s facade is decorated with medallions prominently displaying the likenesses of notable Roman emperors: Marcus Aurelius, famed for his philosophical wisdom; Nerva, who started the era of the Five Good Emperors; Decius, known for persecuting Christians; and Trajan, renowned for his military conquests and expanding the Roman Empire.

The King of Spain’s House is the only building on the Grand Place without a gable-topped façade. Instead, it boasts an attic balustrade adorned with statues symbolizing elements essential to baking: strength, wheat, wind, fire, water, and security. Hercules symbolizes the physical effort and endurance required in baking, from kneading dough to managing ovens. Ceres, the goddess of agriculture, represents wheat, the foundational ingredient for bread and pastries. A woman with a windmill symbolizes the historical use of windmills to grind grain into flour. Mercury represents the elemental force of fire used in baking. Neptune symbolizes water’s indispensable role in mixing dough. Minerva, with the horn of abundance and the hourglass, represents the foresight and wisdom necessary for securing ingredients and timing critical in baking processes.

The building has a unique dome topped with a gold-coated Fame blowing the trumpet. In Greek and Roman mythology, Fame (or Pheme in Greek and Fama in Roman) is personified as a goddess known for her swift ability to spread news, rumors, and the reputations of mortals and gods alike. She is depicted blowing a trumpet, symbolizing the broadcasting of information or acclaim being is a a metaphor for announcing important news, victories, or the esteemed reputations of individuals to the world, suggesting that their deeds or names are worthy of widespread acclaim and will be remembered through time.

The Roy d’Espagne’s suffered damage during the tumultuous period of the French Revolution. However, as part of a comprehensive restoration effort aimed at revitalizing the Grand Place, the building was restored in 1902. The overall design of the building changed, but the restoration brought back the sculpted décor and dome, missing since the 19th century, according to the original plans.

Le Roy d’Espagne