Overcrowded

Enjoying my morning coffee, I opened a news feed. One of the headline news was that there is a problem of overcrowding in Venice, known in the winter season for its carnival festivities. And, there is a suggestion to limit access for those tourists who do not stay overnight in the city. Whether the news is actual or not, overcrowding in several spots worth sightseeing or spending holidays in Europe, and on other continents, is today a real problem both for inhabitants and for tourists. With the market liberalization in the skies, the opening of borders, including facilitation of student exchange, and probably some other factors playing the role, tourism seems to be booming.

In several major European cities like Paris, Rome or Barcelona, and others like historical Italian cities, the day-to-day life already became unbearable because of tourists. No matter the season. But the congestion becomes a nuisance for the tourists themselves, too. Last Sunday I was on the Eiffel Tour. A cold (around 0 degree Celsius) mid-February day, not the high season. The waiting time in the ticket & safety control zone and in the queue to the lift was around fifty minutes. The next day we were at the Louvre >>>. As we were an organized group that hired a guide, we entered the museum quite quickly by the back door. But still although not in the high season the museum was on the edge of overcrowding. As most of the exhibition rooms are enormous with quite good acoustics, there was a moment I caught myself at barely hearing my own thoughts. As we reached the room (or a hall) was the famous Mona Lisa is displayed, my only thought was to photograph the audience.

Louvre, Paris, crowds in fron of the Mona Lisa

A bit over a year ago in October 2015 I had the same experience in the Vatican Museums >>>. As the majority of exhibition rooms were smaller, there was not as much noise as in the Louvre, but still walking around was not possible in most parts of the museum. The only way to move around the museum was to march together with the crowds. 

Vatican Museums, the crowds are like that on the main sightseeing route.

One of the ways to avoid crowds is to get up early and reach the place before it crowds up to just contemplate the art or the place. With limited holiday leaves, there are many spots we want to visit one day. But, it is the only one that we can visit each morning. Still, even when on the spot in the morning, we are among those few for only half an hour or so … Or we can look for interesting places to visit that are not that popular with tourists. The overcrowding does not consider only historical objects. These are also famous sea and mountain resorts. Not ready for crowds, one has to be indeed very selective and make proper research on the internet before planning a trip.

The other solution is simply to accept the fact. Some small tricks like visiting a restroom ahead, carrying some little food and water or planning the day so that a part we spent in the crowds but later on we visit a less attended place to keep balance are always helpful.

A way to cope with overcrowding is, of course, imposing some kind of limitations. I have my doubts whether a regulation limiting access to Venice only for those who stay overnight would pass. But still, there are popular galleries that did so. My favorite example is the Galleria Borghese in Rome (>>>), on an absolute must-see list for an art fan visiting Rome. To get there, you have to apply for a reservation and be strictly on time. In exchange, you can visit it for two hours being one of only two hundred visitors allowed at the same time to the buildingThe only disadvantage is that if taking a spontaneous trip to Rome that we decide on a week ahead or so, we would probably not get the ticket at the right time.

 

Overcrowded

An evening in a Paris style cabaret

Paris is one of the cities where whenever you come in winter or in summer you have much to do. Much sightseeing indoors and outdoors at light-time. Partying at night-time. Below, some scenes were seen on an evening in Lido, one of the Paris cabarets.

During our last stay there we saw two shows, one in Moulin Rouge and the other one in Lido. In Moulin Rouge, there is a strict ban on making shots. Lido also prohibits photographing, but the rules are not as severe as in Moulin Rouge. I asked for permission to make shots. So here it is, an evening show in a Paris cabaret in a small gallery of pictures.

Lido delivers a great show, but it a bit lighter than that of Moulin Rouge, where besides great bodies and great costumes the show offers two quite dangerous stunts and more acrobatics. In both cabarets, the guests are served champagne (included in the ticket price). Although much nudity is shown, the shows are not too adult for teenagers.

 

An evening in a Paris style cabaret

The King’s apartment. Warsaw castle

The Royal Castle in Warsaw, initially constructed by the Masovian Dukes in the 14th century as a wooden stronghold, underwent significant transformations through the centuries. Its pivotal change began in the 16th century under King Sigismund III Vasa, who moved Poland’s capital from Kraków to Warsaw, enhancing the castle’s status as a royal residence. A notable period of cultural flourishing occurred during the reign of King Stanisław August Poniatowski, the last King of Poland. His reign ended with the partitions of Poland, leading to a phase of decline for the castle. During the Second World War, the Royal Castle faced its greatest challenge. It was heavily bombed in 1939 by Nazi Germany and suffered extensive damage during the Warsaw Uprising in 1944. These events left it in ruins, symbolizing the broader devastation Poland endured. Post-war a comprehensive reconstruction project was launched, extending into the 1970s. This effort was not merely about rebuilding but involved an intricate restoration of its historical and artistic character. Craftsmen and historians used historical documents, old paintings, and photographs to meticulously recreate the architecture and interiors of the castle.

View of Castle Square in Warsaw. To the right is the Royal Castle, and to the left stands the Sigismund’s Column, commemorating the king who relocated Poland’s capital from Krakow to Warsaw.

The castle’s interiors, meticulously restored, lack the grandeur and lavishness found in Versailles or Windsor, yet they retain a historical authenticity. Similar to these renowned palaces, the castle features a linear arrangement of royal apartments, emphasizing both function and hierarchy. The sequence of rooms, culminating in the king’s study and bedroom, reflects the architectural style of the era, with the outer chambers designated for entertaining guests and holding court.

After passing through one or the other royal chamber (the so-called King’s Apartments), one gets the impression of being in an art gallery. Most of the primary tourist route leads through chambers adorned with paintings either from the royal collection or those donated by the Polish nobility. All the paintings exhibit a classic style. The last king of Poland, Stanisław August Poniatowski, was a declared art patron. He commissioned painters to create portraits, panoramas, and illustrations of historical events. One collection showcases Warsaw’s main streets and buildings as they appeared in the 18th century, while another depicts significant events in Polish history. Among these artists was Canaletto, an Italian painter renowned for his cityscapes of Venice and London, who also painted a series of scenes of Warsaw, capturing its architectural and cultural essence during the 18th century. Most of the paintings in the royal gallery survived the war. They were either protected by Poles or stolen by the Nazis and subsequently returned by the Germans after the war.

Below some photo impressions from the Warsaw Castle:

The Ballroom.

The throne room.

A small chamber next to the throne room.

Some of the chambers are well equipped with mirrors to create an in-depth perspective.

The king’s study.

The king’s bedroom.

One of the many historical pieces on display.

A chamber with walls almost entirely covered with paintings. The royal apartments are enlightened by chandeliers, so it is difficult to take photos of the gallery. This will change later, as the lights in chambers at the lower level were adjusted so one can admire paintings like in an art gallery. 

Just a service corridor, alongside the royal chambers. But still an art gallery.

Just one of many paintings. Anna Tyszkiewicz (1779–1867) – a Polish noblewoman and diarist.

The ceiling in one of the ground floor chambers.

A Dutch tapestry with arms of a Polish noblemen family. 

The silver collection on display.

The last chamber of the primary tourist route.  A painting The Girl in a Picture Frame by Rembrandt donated to the castle by a noble family.

The King’s apartment. Warsaw castle