Roland

Statue of Roland in Riga (Latvia)

The statue of Roland in Riga was unveiled in 1897 to commemorate the city’s membership in the Hanseatic League, a powerful alliance of trading cities in northern Europe during the Middle Ages. The 6.3-meter-tall Statue was designed by the architect Wilhelm Neumann in the early Renaissance style. It is located in front of the Riga’s Town Hall.

ABOUT ROLAND

Roland was a legendary figure in medieval Europe, known for his bravery and loyalty to the Emperor Charlemagne. He is known primarily from the epic poem “The Song of Roland”. The Song of Roland is an epic poem from medieval France, written in the late XIth century. It tells the story of the Battle of Roncevaux Pass, a historical event that occurred in 778 AD during Charlemagne’s campaign to expand the Frankish empire into Spain. Roland was one of the main heroes of his battle.

According to the historical accounts, Charlemagne’s army was returning from a successful campaign in Spain when they were ambushed in the Pyrenees mountains near the Roncevaux Pass. The attackers were said to be a mix of Basque tribesmen and Muslim soldiers who were allied with the Basques. Roland and his troops were ambushed and defeated by Basque tribesmen in the Pyrenees mountains. it is now believed that the Muslim presence in the battle was likely minimal, and that the main force of the attackers were Basque tribesmen who resented the Frankish presence in the region and sought to assert their independence. The Basque motive for the attack was likely more political than religious, as the Basques were known to be fiercely independent and had long resisted attempts by outside powers to control their territory.

As the battle reached its climax, Roland’s sword broke, and he was mortally wounded by a poisoned spear. Despite his injuries, Roland continued to fight bravely, sounding his horn to alert Charlemagne’s army to the danger. As the other Frankish soldiers arrived, they found Roland dying on the battlefield, surrounded by the bodies of his loyal companions. According to the legend, Roland asked God for forgiveness and begged for his sword to be brought to him so he could break it, rather than allowing it to fall into the hands of the enemy. With his last breath, Roland proclaimed the name of Charlemagne and died

Still, in the centuries that followed, Roland became a symbol of Christian valor and martyrdom – as according to “The Song of Roland” Roland was ambushed and defeated by a coalition of Muslim warriors led by the emir of Cordoba. He was often depicted in art and literature as a courageous and honorable figure, who exemplified the virtues of chivalry and knighthood. He was seen as a symbol of justice and freedom, and his statue was often erected in town squares as a symbol of the town’s independence.

ROLAND’S STATUES IN HANZEATIC CITIES

Statues of Roland were popular in Hanseatic cities. The Hanseatic League was a commercial and defensive confederation of merchant guilds and market towns in Northern Europe. The league was formed in the late XIIth and early XIIIth centuries. Many of these cities, especially those in Germany and the Baltic region, had close ties to the legend of Roland and saw him as a symbol of the struggle for independence and freedom. As a result, statues of Roland were often erected in the town squares of Hanseatic cities, serving as symbols of civic pride and independence. These statues typically depicted Roland as a heroic warrior, often with a sword or horn in hand, and were often accompanied by inscriptions or other symbols of local history and culture.

The most famous of these Roland statues is located in the market square of Bremen, Germany, and dates back to the XVth century. The Roland statue at Bremen is the oldest surviving example. From Bremen the symbol spread to other cities.

Roland

Binzuru

Binzuru was one of the arhats. Arhats are beings who have attained a state of spiritual liberation through direct understanding of the Buddha’s teachings. They are believed to be entirely free from suffering, desire, and the cycle of rebirth (samsara). Although they are not buddhas, they have reached enlightenment and are characterised by deep wisdom and spiritual purity.

In Buddhism, particularly in China, Japan and Tibet, a tradition developed around the veneration of the Sixteen (or Eighteen) Arhats. According to legend, these were disciples of Shakyamuni Buddha who were entrusted with the task of preserving and protecting the Dharma – that is, the Buddha’s teaching, the cosmic law, and the spiritual path leading to liberation. Dharma is not merely a set of moral rules; it is also the universal truth about the nature of reality, which the practitioner is meant to realise and embody. Statues of the arhats are commonly found in temples. They are portrayed as elderly monks, each with a distinctive facial expression, gesture or attribute, symbolising various aspects of spiritual practice – from contemplation to acts of compassion.

One of the most revered arhats in Japan is Binzuru, known in Sanskrit as Pindola Bharadvaja. According to legend, he was one of the Buddha’s most gifted disciples, endowed with great spiritual powers. However, he used these abilities inappropriately – showing off before others, for instance by levitating. The Buddha rebuked him, and as a form of spiritual obligation, assigned him the task of remaining in the world to help people – most notably through healing.

In Japan, Binzuru is often depicted as an elderly monk with a kind and gentle expression. He is typically shown sitting in a meditative pose, holding a cane and a beggar’s bowl.

It is believed that he has the power to cure illnesses and alleviate suffering, and many people visit his shrines and temples to pray for healing and good health. One popular practice associated with Binzuru is the rubbing of his statue. It is believed that by rubbing the statue in the spot corresponding to one’s own ailment, one can transfer Binzuru’s healing power to themselves or to a loved one who is ill. His statue is often worn smooth, polished, and draped with cloths as a sign of reverence and gratitude.

In Tōdai-Ji Temple in Nara Binzuru wears an orange robe, which is a traditional color for Buddhist monks in Japan and other Asian countries. The color orange is considered significant in Buddhism, as it represents the color of the robes worn by the Buddha and his followers. It is also said to represent the qualities of wisdom, humility, and detachment from material possessions. The orange robe worn by Binzuru is thus a symbol of his status as a Buddhist monk and his dedication to the practice of the Buddhist teachings. It is also believed to represent his compassion and willingness to help those in need, as Buddhist monks are known for their role in providing spiritual guidance and support to their communities.

Binzuru

The Wawel Cathedral

Last year, while attending a quite intensive conference in Cracow (Poland), in the late afternoon on the eve of the conference, I decided to take my camera and go out into the city. Unluckily one of my cameras broke down before I could enter the Castle Hill. Then, it started raining. The light rain turned into a heavy downpour. Still, I made many photos from under the umbrella. They turned out quite well. Cracow has a large, beautiful Old Town. Many buildings are illuminated at night. Even with a heavy rain, you gest nice shots.

Cracow is one of the oldest and most significant cities in Poland, with a history that dates back over a thousand years. According to legend, it was founded in the 7th century by a mythical prince named Krakus, who defeated a dragon that was terrorizing the local population.

The city grew in importance during the Middle Ages, becoming the capital of Poland in the 11th century and the seat of the Polish monarchy for 500 years. Over the centuries, Cracow was a cultural and intellectual center, home to artists, writers, scholars, and scientists. It was also a center of trade and commerce, with its location on the Vistula River making it an important hub for goods flowing between East and West.

Traditionally, the seat of the Polish Kings was the Wawel Castle located on the Wawel Hill. The castle complex includes the castle itself, the cathedral, and several other historic buildings. The origins of the Wawel Castle date back to the 11th century when a small fortified structure was built on the hill. Over the centuries, the castle has undergone many transformations and renovations. Its current appearance is largely the result of the reconstruction carried out in the Renaissance style in the 16th century.

This time, while being on Wawel Hill, I decided to take more pictures of the Wawel Cathedral, including close-ups of its architecture. The current Cathedral was built in the 14th century, although the site has been used for religious purposes since the 11th century. The cathedral has been the coronation site of Polish monarchs and a mausoleum for many of them and other prominent Poles.

The Wawel Cathedral has been repeatedly reconstructed, with elements of various architectural styles being added to it. Those additions make it very special. The cathedral’s architecture is a mix of Gothic, Renaissance, and Baroque styles, reflecting the various periods of construction and renovation over the centuries.

So, let us take a look onto the exterior of the Wawel Cathedral. It is however difficult to get the full view onto the cathedral, as it is surrounded by buildings standing quite close to it. The photos below are made from different angles. They are ordered from the view outside the Wawel gates to the view from the internal gate that leeds to the Castle internal yard.

The view onto the Cathedral Clock Tower. Below, the Tadeusz Kościuszko Monument. It was erected in 1820 to commemorate Tadeusz Kościuszko, a Polish general and hero of the American Revolutionary War

The opposite site of the entrance to the Hill. The Clock Tower is on its right.

West facade of the Cathedral

South facade of the Cathedral. In front the Tower of Silver Bells and exterios of royal chapels, inlusing the Sigismund Chapel in Renaissance style with the dome covered in gold

The wiew from the east side of the Cathedral. Behind my back the internal yard of the Royal Castle

Below closeups on the details of the exterior.

The cathedral is also known for its stunning interior, which includes numerous chapels, altars, and works of art. It also houses the Royal Crypt, where the remains of Polish monarchs and other notable figures are interred. The Cathedral can be visited, but the last time I was there a few years ago, taking photos inside was not allowed. The only place where photography was allowed was the Clock Tower, where one of the most important bells in Poland, known as the Sigismund Bell, is located.

The Sigismund Bell

The Sigismund Bell, also known as the Royal Sigismund Bell, was cast in 1520 at the request of King Sigismund I of Poland to commemorate his victory over the Grand Duchy of Moscow in 1514. The bell was cast by Hans Behem and his brother, who were well-known bell founders from Nuremberg, Germany. It is made of bronze and weighs almost 13 tons, making it one of the largest bells in Europe. It is decorated with inscriptions and bas-reliefs depicting scenes from the Bible and Polish history. The Sigismund Bell was initially installed in the Sigismund Tower, which was built specifically to hold it. Over the centuries, it has been used for a variety of purposes, including as a fire alarm, a call to arms, and a sign of mourning. During World War II, the bell was taken by the Germans as a trophy, but it was returned to Poland in 1946. Today, the Sigismund Bell remains an important symbol of Polish national identity and is one of the most recognizable landmarks of Krakow. The bell rings on special occasions, such as state funerals.

And yet the overall view onto the interior of the Castle Hill made from the other entrance way.

The Wawel Hill inside. On the left side the Wawel Cathedral and on the right the Castle buildings

The Wawel Cathedral